Outer Space
Yelawolf · Love Story [2015]
I am that motherfucker. Lord give me that deuce deuce
I'm out the roof like a chimney sweeper
I'm on Jack and cola
Oh, snap that boy's about to go go wild wild, hold up
Then at midnight, out like a convict
Trick I'm using my shit, watch this
Throw a bottle. Fuck the world
I need mic tunes and mushroom's. I'm tripping
(Chicka Chicka) Who's bad?
Baby it's my turn. I want all of it. Hey, let's go
Look, and I'm hating on a trailer park pimp. Who? Me
It's a problem ain't it, man
You're fucking white. You better get used to it
Catfish Billy man
Check the 5-0, in the rear-view
Scheming on the Chevy cause the Chevy's a clear view
Tires wet, pulling me over
With tattoos on my pistol holder
An American fuck up. Money like a crook
And I'm spending G's like I'm buying a soda
Check me out, CEO. Got pulled like a monster truck
So what's up I'm on my shit
Respect is a must. You fuck around with me (shit)
In the slug I trust. I got the Mossberg (shit)
You make me low that bunk
James Brown motherfucker (shit)
Uh to the..to the breakdown like this
[Hook x4]
Give me everything. Take it all away
Lock me up and then throw away the key
Kick me down and then talk about my state
I'm not out of place. I'm from outer space
I'm not out of place. I'm from outer space
I'm not out of place. I'm from outer space
Outer Space
Outer Space stands as a compelling track within Yelawolf's 2015 album, Love Story. The recording showcases the Alabama rapper's signature blend of gritty storytelling and melodic introspection, hallmarks that have defined his discography since his early mixtape days. On this project, Yelawolf explores themes of isolation and emotional distance, utilizing a production style that balances hip-hop rhythms with rock-infused textures. The song reflects the artist's continued evolution, moving beyond the raw energy of his earlier work to embrace a more nuanced sonic palette. As part of a cohesive body of work, the track contributes to the album's narrative arc, highlighting Yelawolf's ability to craft deeply personal anthems that resonate with listeners familiar with his extensive catalogue of recordings.

