Losa cura (feat. Klijent)
Kedzi OG · Other Songs - Kedzi OG
Tako me mami
opasna si k'o djavo u tami
i ona zna, to me mami
zbog nje razum gubim
kada ostanemo sami
Ona je dobra u krevetu
al' je losa cura
ima lice andjela
al' je losa cura
A ja dalje hodam gradom
i samo zelim da je nadjem
jer ona je moje more plavo
iako tu tonu moje ladje
Ona tako mi prija
k'o zlato kraljeva sija
zbog njenih usana pijan
gradom pijemo, pijemo
Ona uvija, savija
zeli me zauvijek imat
ledeno srce joj grijat
zauvijek svima u inat, yeah
Izgleda k'o boginja
i namjerno me baca na dno
i sve mi to radi s namjerom
Njeno tijelo opasno zlonamjerno
mami da je imam dok krisom
je snimam kamerom
Ref.
Hipnotiziran, ne kriziram
mala k'o bijelog gram venama klizi
nije normalna, nocu me priziva
ma ti si mala sto tijelo mi je dala
i na srce stiklom stala
Ref.
A risky attraction in Balkan trap
Kedži OG and Klijent's “Loša cura” (“Bad Girl”) is a 2017 Balkan trap and hip-hop track built around attraction to someone the narrator knows may bring trouble. Its central character is presented as glamorous and compelling but emotionally risky, giving the song the familiar tension of desire overriding good judgment. The production's modern urban style keeps the track firmly in the late-2010s trap moment, while the hook makes the premise easy to remember.
The single was released under Imperia and features Klijent alongside Kedži OG. The collaboration brings together two voices in a regional rap scene that was increasingly shaped by online video releases and streaming platforms. The song's presentation and production draw on the polished trap sound that was circulating across the Balkans at the time, where local-language tracks could quickly find audiences through video channels and social sharing.
The track has a strong online presence, though a dependable chart peak is not widely documented. Its continuing availability through video and streaming platforms gives it a life beyond its original release period. “Loša cura” works through a familiar pop-rap premise, but its direct hook and regional delivery situate it within a specific Balkan urban sound. The feature credit matters: Klijent is part of the song's identity, not merely an uncredited addition to a Kedži OG solo recording.