Posljednja pjesma
Kemal Monteno · Other Songs - Kemal Monteno
da ovoj pjesmi napisem kraj
a htio bih mnogo na kraju reci
jos jednom vidjet' u pjesmi maj
Ref.
Sve moje vjerne, drugove stare
i moju ljubav nevjernu
al' nikog nema, samo gitare
sviraju pjesmu posljednju
Donesi, majko, jos casu vina
upali svijetla i budi tu
cuvaj mi pjesme, gitaru staru
zovi mi, majko, zovi mi nju
Ref.
Zovi mi, majko, drugove stare
i moju ljubav nevjernu
nek' nocas samo placu gitare
dok pjevam pjesmu posljednju
Ref. 2x
A farewell imagined through one last song
“Posljednja pjesma” (“The Last Song”) imagines an artist confronting the possibility that there may be no strength left to finish one more composition. Kemal Monteno builds the song around the people and memories the narrator hopes to gather close: family, old friends, a complicated love and, finally, music itself. The result is a farewell ballad that feels vulnerable without turning its subject into spectacle.
The song fits Monteno's identity as a singer-songwriter whose work often blurred the line between a fictional narrator and a personal voice. A guitar-centered arrangement gives the story a sense of closeness, as if the listener were sitting with the singer at the end of a long evening. Monteno's understated performance is important to the effect: he lets the sadness emerge gradually instead of forcing it through a dramatic vocal climax.
No major chart record is available for this track, but it remains a striking part of Monteno's recorded repertoire and circulates through lyric and music archives. Its enduring interest comes from the way it reflects on music as a companion at life's most difficult moments. “Posljednja pjesma” is not simply a song about endings; it is also a statement about what a songwriter leaves behind. In its final emotional image, the music continues even when the people the singer longs for are absent.

