Dzordanke i Tozla
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u dresu Chicago Bullsa
pogled hladan k'o kod
covjeka bez pulsa
Pijem vise nego
propalica Ruska
i tvoja mala pun je pogodak
zovem je Bullseye
U vasim dzepovima propuh je
na mom ekranu 21. propusten
jer mnogo trazen sam na cesti
trazen k'o bakar, aluminijum i mesing
Zanimaju me samo pare
jeb'o slavu, drolje
gudre volim samo pare
S' njima mozes kupit'
sta god ho's sebi
a da ne moras dici kredit
Stvari jako proste su
proste k'o hostese u toplesu
oko novca vrti sve se
vrti Sunce, vrti Zemlja, vrti Mjesec
Ref.
Sta mi sutra nosi Bog zna
k'o dijete sanj'o zivot lijep
sad pakete saljemo u tvorza
Sada dajem sve
da dzipom prodjem kroz grad
od kad sam dosao na svijet
trazio sam Dzordanke i Tozla
Dzordanke i Tozla
Ja ne zelim biti poznat
dovoljno se znaju
ko je konza u kraju
I ko je za ovo patron
kume znam bi'cu pozvan
nek mi sliku stave na naslovnu
znam, samo nek mi plate za to
Nisam poznat satro, poznat sam
kad treba da mi pozlate kajlu
poserem poznate ako nemaju pare
Mene traze u tom gradu
neka plate za moj nastup
i reci da lijepe pozdave im saljem
Sto je lijepo kratko traje
dok setam ghettom dajem
dok setam ghettom dajem mecku
koju rol'o bih krajem
ili bar novi Cayenne
Svaki moj haver ga daje
za druge havere i pare
ali nikad zbog slave
znam da nikad ne stajem
necu, oci mi sjaje
Govorim sebi "hocu kesh"
dok gledam izloge gradom
nemam vremena za sranja
meni treba novi plan
Nemam nista od toga
ako nam izgori vlada
kazu da se foliram
i da sam baraba
Ja sam ozbiljan u igri
stil Dolce & Gabana
ko ce sa nama
plati nam dan ba
da ti rokamo u gradu
sa mnom doci ce banda
Za pare rade moji
sve za pare rade
gori u kraju
kao da sam u Ugandi
Zarade pare, pa onda
drugi rade za njih
a ma borim se za prava
Mahatma Gandhi
Sin bahatog oca
sin casne majke
necu biti poznat'
al' cu uzeti marke
Drugovima odan
ova igra je basket
kada kao Dennis Rodman
izadjem na parket
Udjem u Air-Max
pa do banke
za svaki slucaj
ispod kape zastekam paket
I jeb'o faks
ne zelim slavu
samo zelim milion
i jedan privatni market
Ref. 2x
Dzordanke i Tozla
The refrain may be what stays with a listener, but the opening “Nadji me na kvoti” gives it its human scale. The text’s strongest effect lies in the contrast between its direct hook and the particulars around it. A repeated phrase can sound certain, but the surrounding images disclose hesitation, comic excess or unresolved grief. Reading those parts together keeps the narrator from becoming a flat emblem of heartbreak or bravado. The song leaves room for listeners to sympathize while still questioning the account being offered.
Rap’s compressed rhyme and assertive persona make the verses feel like speech sharpened for an audience. The voice can boast, confess and contradict itself in quick succession; that is a dramatic device, not necessarily a factual autobiography. Here the most revealing question is what the performance is defending or exposing. The refrain gives the song a communal handle, while the verse preserves its sharper individual perspective. It is worth noticing how the lyric controls scale: an intimate worry, a public event or a small domestic scene becomes large enough to carry the refrain. The recurring line then returns with a changed emphasis. That movement gives the writing its shape and helps explain why its central image is more memorable than a simple summary of the plot.
The public upload gives this song a dated digital trail. A matching listing on ORG MEDIA is dated 2015-08-01, and its counter read 1,643,144 views on 14 October 2026. This says something concrete about that video’s circulation, but not about radio play, sales or every version of the recording. I found no independently verifiable song review or chart placement to support a broader reception claim.