Kakav ja II
Kontra · Other Songs - Kontra
al' kad je majk u sakama, baratam ko nun-cakama katanama
zabava ti tek pocinje sa nama
zarada je zaraza, pa trosim po kafanama
Hej curo garava, da li slusas Sabana
ja slusam Fredi Gibsa i Kendrika Lamara
zivot je ko kladara, ponadas se parama
grdno se zavaravas, obara te Malaga
Sarajevo, mahala, Kontra, Kontrinjo
kako je domacine? Nije lose Gringo
je l' te zovu Gringom? Koga boli karina
sam sebi kralj, sam sebi, sebi kraljina
Nemam argumenata, jednostavno iznad
poz mali reperi, do kad vam je izlaz
nisam druzeljubiv, ljudi pricom operu
al' po meni sam najjaci u repu i u sokeru
Ref.
Koji je to zvuk sto kroz zidove ti prodire
kakav ja dva, kakav ti tri stotine
svako malo stucam, ko li me to spominje
djon boli me, djo, djo, djon boli me
Kontra MC najvreliji ove godine
djon boli me, djo, djo, djon boli me
Kontra je u kuci a vi niste ni za kolibe
Slabe su ti za mene, ove male izdrkotine
raknu moj majk, dobiju teske opekotine
najvreliji ove godine i da poginem
nesto kontam, nece grom u koprive
Kamehameha direktno iz ramena
bit izudaram, nogama, sakama
mici mi se decko, pogodit cu te greskom
rima rafal emkom, dok upadam sa fleskom
Drmam ko fol haus remiksi u getaci
igru mo's zapecatit hladno, djeta mi
nikada se ne vracama, jer nikada i ne odem
volim Rajvosa, Lids Junajted, rep i eure
Reper sam dok ne umrem, do posljednjeg zvizduka
gradim se profi, ko birvaktile Viduka
koznjak mi sija, forsice glancam
od pregazenih milja, kakvi vi ba
Ref.
Kakav ja II
The lyric opens on “Ma kakav ja, antitalenat, debeli balavac,” a compact detail that makes the larger feeling legible. There is no need to treat every first-person line as autobiography. The lyric constructs a speaker through what they repeat, what they exaggerate and which details they choose to disclose. That distinction is especially useful here: performance and feeling can coexist without being identical. The song’s unresolved edges are not a flaw to explain away; they are part of its expressive design.
Rap’s compressed rhyme and assertive persona make the verses feel like speech sharpened for an audience. The voice can boast, confess and contradict itself in quick succession; that is a dramatic device, not necessarily a factual autobiography. Here the most revealing question is what the performance is defending or exposing. The refrain gives the song a communal handle, while the verse preserves its sharper individual perspective. That choice matters because the speaker is not simply reporting an emotion; the lyric stages how it is reached. The verses add complications that the refrain cannot entirely settle, so repetition feels less like a final answer than another attempt to make one persuasive. This gap between declaration and evidence is where the song becomes a character portrait rather than a generic statement.
Its online history is more readily documented than its critical reception. The matching video on FMJAM dates to 2016-05-16 and displayed 447,737 views on 14 October 2026. Those views establish repeated access to this upload, not a sales or broadcast ranking, and cannot stand for the entire audience. I did not find a dependable chart listing or independent song-specific review.