Polarna jebacina
Kranksvester · Other Songs - Kranksvester
Dupe od pingvina
kurac od eskima
morzeva vagina
polarna jebacina
Ja sam tako kul k'o ljetovat na zrcu
a ti si tako kul k'o izlazak u tvrdu
ja sam brate kul ako ne znas ti si seljak
kao tip iz Duna sto na fejsbuk kvaci kvelja
Ja sam tako kul k'o dizat sto na bencu
a ti si tako kul k'o kopanje po smecu
ja sam tol'ko kul svi zovu me u disko
a tebe nitko ne zna ko brata od Cetinskog
Ja sam tako kul k'o priznat da si peder
a ti si tako kul kao pisat kroz kateter
pun sam kao pun kamion ukrajinskih drolja
a ti si tako lejm k'o na majku Marko Tolja
Ja sam tako kul kao od bukowskog stivo
a ti si tako kul k'o bezalkoholno pivo
kul sam kao kad ti dobra riba rine dupe
a ti jadan kao lik kojem ukrali su bubreg
Ref. 3x
Ja sam tol'ko kul da se odma spusti ziva
a ti si brate jadan k'o kad obolis od HIV-a
totalno sam kul k'o raskopcana sulja
a ti si momak kul k'o analni bez ulja
Kad bi kul posmrkali ja bi surlo nidu
a ti bi care smrko neopranu picku
ja sam tako kul k'o obrijana pica
a ti si momak kul k'o cir na sred lica
Da je kul film moj bi bio gledan
a tvoj bi brate film snimo Jakov Sedlar
bas sam tako kul ko papa Franjo presveti
a ti si momak kul ko rep iz 90-tih
Toliko sam kul da ne trebam rec' foru
a ti si jace jadan k'o dva tipa na motoru
kul sam onoliko care koliko ti nisi
k'o oce nas od svestera da mole svi na misi
Ref. 4x
Polarna jebacina
This is a deliberately crude insult track built from surreal comparisons, sexual shock and repeated claims of superiority. The narrator defines himself as cool by contrasting his own posturing with a rival’s supposed failures, turning the chorus into a series of deliberately grotesque images. The song is not trying to make a careful argument; it is performing provocation as a style, using escalation to keep the listener off balance.
That approach has a recognizable place in battle rap and transgressive comedy, where offensiveness can be used to parody bravado. But provocation alone does not guarantee that the satire lands. The lyric’s gendered and sexual insults reproduce the very status competition they claim to mock, leaving the audience to decide whether the target is the rival, the narrator or the genre’s own performance of dominance. The title’s polar imagery offers no coherent story; it is an absurd banner for the track’s excess.
One useful contextual detail is its place in the catalogue: MusicBrainz dates the recording to 2014, while a current catalogue listing groups it on *Krankšvester Iii* (2019). The later album listing should not be mistaken for the songs debut. I could not verify a dependable chart position or an independent review of this specific recording, so its wider reception remains unquantified rather than something to infer from its lyrics.
Kranksvester’s explicit hip-hop persona is built around breaking decorum, and this song pushes that sensibility to an extreme. No independent review was located to clarify how critics interpreted this track. Its most revealing feature is the instability of “cool”: every comparison depends on someone else being deemed pathetic, so the narrator’s confidence requires constant repetition. The song exposes that insecurity even as it participates in the insult game.