Za benbare i saundsisteme
Kranksvester · Other Songs - Kranksvester
Pu-pu-pu-pu-pu-pu
Pumpa saundsistem, bembara se vozi
pumpa, pumpa saundsistem, bembara se vozi
pu-pu-pumpa saundsistem, bembara se vozi
toliko debel pas da tjera trudnicu da rodi
Potrosio na woofere svu vulu sto sam sparo
sad zivim tu kod roditelja, kacim se sa starom
otmem djetetu od usta, kupim blaupunkt
cujes samo baseve kad sam u autu
Kruzam u leru, Volkswagen Polo
spustio sam prozore i 'ladno vicem yolo
u plejeru Jole i neki miks iz Njemacke
snimio mi bratic i sve su pjesme jebacke
Zene non-stop govore kaki dobar sranc
nafrljim do ibera i padaju u trans
kad sam s nekom pickom vozim je na jebodrom
ne mogu ic' kuci jebat pred zenom i djetetom
Ej, ne bi bilo lijepo plus
ljepse ju izjebem na straznjem sicu auta, kao Bebek
a kad se vratim doma gledam Fast i Furious
i na Vina Diesela izdrkam si kurcinu
Ref. 2x
Pumpa, pumpa saundsistem, bembara se vozi
drotovi me zaustavljaju, smrdim po lozi
gledaju i ne vjeruju kakva imam kola
da mi poljubac u celo i mito jedan dolar
Cobani mi zavide i vicu da sam seljak
a da vide kako vozim krdo tudjih zena
zakon me ganja, zele me na sud
dok me neki zicaju 3ki daj mi krug
Skinuo sam krov, ali moram ga zavarit
kad opet dode zima, jer mogu se prehladit
na woofere u gepeku sam brdo para spisko
imam bolje ozvucenje nego neki disko
Sjedala su vlazna, ali razlog mi je jasan
vibrira mi bas, pa zene dozive orgazam
a dodje li taj dan i ne bude me bilo
pokopajte me s mojim automobilom
bitch
Ref.
Za benbare i saundsisteme
A car stereo becomes the narrator’s highest priority, even at the expense of rent, family peace and money meant for food. He spends his savings on woofers, cruises around in a modest car with the windows down, and imagines bass loud enough to command attention. The song’s title invokes speakers and sound systems; its central joke is the disproportion between the modest vehicle and the grand investment in audio.
The boastful voice is deliberately absurd. Women supposedly fall into a trance, the narrator claims, while the verses reveal a person living with his parents and arguing over purchases. That gap between fantasy and reality makes the track a satire of conspicuous consumption and masculine display. Some of its sexual language is crude, but it is the speaker’s self-inflating persona—not a reliable account of social life—that organizes the joke.
Kranksvester’s Croatian hip-hop is known for explicit, irreverent humor and deliberately grotesque character voices; this song turns car-audio culture into a miniature status comedy. No independent review of this specific track was located. The speaker wants the sound system to announce success, but the lyrics keep showing the costs that announcement conceals. The bass may dominate the street; it cannot make the narrator’s finances, family life or self-image any less precarious.
Here the reception evidence is unusually strong at the platform level: Krankšvester’s own Švesterov kanal posted the official video on 24 September 2014, and it had reached 3,634,434 views by 14 October 2026. That scale marks a substantial online audience for the duo’s deliberately abrasive party-rap, though it cannot stand in for chart data or critical consensus.