Gard (feat. Jala Brat)
Laki Kes Skorpion · Other Songs - Laki Kes Skorpion
noram pare da pravim
vase price dodju glave
pa ih pravim sa pravim
To sto gusi, davi
na dusi jos ko navika je
bol sto rusi, pali puska u ruci
ratnika je zakocila, al' ne stajem
Idem prsa u prsa
u ocima sve si dalje
vidim posljednji trzaj
vidim sto htio nisam
Tvoje lice kroz nisan
oko ruku lisice
moje odvozi Nissan
brzina u venama
Brzi u tenama smo na cesti
misle da glume nama
cekaju ih lose vijesti
lose, lose ti je, moras sjesti
A moji kad izadju
Sarajevo ce se tresti
Bring the noise
FreeDemBoyz
Znaci vodim sranje
Jala Josip Broz
znaci volice me i kad odem skroz
a vas, mrs
Ref.
Oni zele da me vide dole
a ja moram ostat jak
i oni zele da me nema
zele da slome mi snove i znam
Mama, nocu nebo gledam
i govorim kol'ko volim vas
i kunem se dragim Bogom
boricu se, nikad necu spustit' gard
Htjeli su da me vide dole
i kada rane bole
ulice me vole
gledam ih u lice
Vidim da se boje
i nikad necu dati
da uzmu sto je moje
i nikad necu stati
Kunem se dragim Bogom
oticu u grob
ili kuci s punom torbom
I necu biti rob
ako robiju sam probom
mama nemoj plakat
tvoj sin ce biti dobro
Ref.
Gard (feat. Jala Brat)
The song’s title means guard or defense, but the narrator’s posture is more than emotional caution. His brothers are behind bars, money must be made, and the verses move through weapons, police, speed and the promise that Sarajevo will shake when the imprisoned friends return. The lyrics create a hard-edged persona built around loyalty and survival, while offering little distance from the violence that persona invokes.
That proximity matters. The track borrows the language and imagery of street rap—first-person bravado, crew allegiance, incarceration and retaliatory threat—to build a world where vulnerability is recoded as danger. The narrator admits that some of what he sees is unwanted, but presses forward anyway. A close reading should recognize the performative conventions without mistaking them for verified biography or treating the threats as harmless decoration.
The available release record situates the song this way: It is listed as a 2020-01-14 single titled *Gard (feat. Jala Brat)*, issued by 1689496 Records DK; that verifies a release context, not the scale of its reach. I could not verify a dependable chart position or an independent review of this specific recording, so its wider reception remains unquantified rather than something to infer from its lyrics.
Featuring Jala Brat, the song sits within the contemporary Balkan hip-hop/trap space in which local identity, street credibility and forceful vocal presence are central stylistic markers. The lyrics provide the clearest evidence for that framing; no reliable independent review or release context was located. Rather than romanticize the violence, the more revealing critical question is what the “guard” protects: the refrain’s tough exterior may shield loyalty and grief, but the song also shows how easily protection becomes another name for escalation.