Seceru

Lana · Other Songs - Lana

Ref.
Seceru, daj zasladi me
i iznenadi me
radi mi sve sto hocu, sve sto necu
ti mi mozes sve

Seceru, dodji mi na veceru
i desert za kraj
padam u tvoj zagrljaj
ali mi ne lici na raj

I necu da mi propadne jos jedna noc
svejedno zivot leti, svakome ce proc'
treba mi svega, njega, snijega, svacega
on je moj Bog i od njeg' nema jacega

Tu igru dobro znam
al' igram je do kraja
ma da, znam, lazes k'o veliki bas sve
i varas me, zar ne

Haljine, meci, psovke i sve
svud po sobi nama lete sad
grudnjaci, cipele i remenje
mi padamo al' volim ovaj grad

Haljine, meci, psovke i sve
svud po sobi nama lete sad
ljubi me gad

Ref.

Ref. 2x

Seceru

The refrain addresses the beloved as “sugar,” but the relationship is far from sweet simplicity. The narrator invites him to dinner, asks for whatever she wants, and admits that she knows the game includes lies and cheating. Even so, she refuses to let another night go by unused. Her appetite for the encounter coexists with clear awareness that the relationship may not offer anything like a lasting paradise.

The verses move through a deliberately unruly scene of clothes, arguments and passion scattered across the room. That messiness turns the song away from idealized romance: the lovers may know each other’s habits and deceptions, but the narrator still chooses to play. The repeated refrain makes desire sound like a decision made in full knowledge of the consequences, not a naïve misunderstanding.

As a cheeky, dance-oriented pop song, it builds its appeal around a teasing hook and a candid, self-aware narrator. The lyrics draw on the familiar regional pop trope of volatile love, but this speaker is not pretending to be innocent; she knows the other person lies and still owns her choice to spend the night. No independent song-specific review was located. That agency does not make the relationship healthy, but it does make the character more interesting than a simple victim of seduction.

Lana Jurcevic’s channel posted a lyric video on 20 December 2016. It had 878,314 views when checked on 14 October 2026, a substantial audience signal for a lyric-video format rather than a conventional chart source. The figure establishes repeated online access, not radio ranking or critical consensus; no independent review of this specific track was located.