Motiv

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Predatoru motiv je
zelja za postignucem
dok je ostaloj vecini
zelja da zadive druge

Jebes te ljude
svi oni previse ocekuju
ja rokam taj motiv
a oni ne znaju sto repuju

Blokovi su motiv
tu mi se versovi neguju
glasne zice se cepaju
kad recitujem rime

U koje mogu da veruju
i dalje ciste svesti
ja zapisujem te reci
sto realnost manifestuju

Motivisan, inspirisan
u igri sam nevidljivi sam baja

Olovka mi piskara
sporo mi gori marijana
kako juce, tako danas
blokos stvara

Rokam znajuci sta radim
neki ne znaju sta bi
stilove menjaju sasvim
treba im slava

Dok nepromenjenog stava
sa motivom genijalca
i kodeksom samuraja
ja sam blokos Don-Dada

Ref. 2x
Pronadji to sto volis
to sto volis nek' te ubije
pokazi im svoj motiv
motiv prave ljudine

Objasni svakom da razume
kako razmisljas van kutije
i apsolutno nikad niko
na tebe ne utice

Predatoru motiv je
zelja za postignucem
to je razlog zasto
godinama versove pljujem

Jurim izgubljenu rec
moju savrsenu rimu
imam zeludac za sve
pa ti dajem tu sliku

Zovi me Salvador Dali
na traci blokovski bandit
blokos je umetnik stari
sto se tom istinom bavi

Na traci sustinske stvari
al' vi ni ne bi ste znali
sta je to pravi rep
ni da vas on pukne po glavi

Sta da se radi
osim buksna da se pravi
Cadikovski, moja Mara

Blokos nedavno je rek'o
blokos ponavlja jos jednom
da ce ici s ovim repom
sve do kraja

Nisam cekao priznanja
plus od zike nema para
to su plitkoumna sranja
to je farsa

Svaki efekat mog stiha
krije uticaj motiva
kad shvate poentu rima
kazu jao majko mila

Ref. 2x

Motiv

The refrain may be what stays with a listener, but the opening “Predatoru motiv je” gives it its human scale. The text’s strongest effect lies in the contrast between its direct hook and the particulars around it. A repeated phrase can sound certain, but the surrounding images disclose hesitation, comic excess or unresolved grief. Reading those parts together keeps the narrator from becoming a flat emblem of heartbreak or bravado. The song leaves room for listeners to sympathize while still questioning the account being offered.

Rap’s compressed rhyme and assertive persona make the verses feel like speech sharpened for an audience. The voice can boast, confess and contradict itself in quick succession; that is a dramatic device, not necessarily a factual autobiography. Here the most revealing question is what the performance is defending or exposing. The refrain gives the song a communal handle, while the verse preserves its sharper individual perspective. It is worth noticing how the lyric controls scale: an intimate worry, a public event or a small domestic scene becomes large enough to carry the refrain. The recurring line then returns with a changed emphasis. That movement gives the writing its shape and helps explain why its central image is more memorable than a simple summary of the plot.

The public upload gives this song a dated digital trail. A matching listing on LMR62TV is dated 2015-07-31, and its counter read 169,866 views on 14 October 2026. This says something concrete about that video’s circulation, but not about radio play, sales or every version of the recording. I found no independently verifiable song review or chart placement to support a broader reception claim.