Sutra
Lollobrigida · Other Songs - Lollobrigida
skinut cu rolete
sunce da ostane
sutra cu bacit cigarete
lijekove, tablete
ja mijenjam se
Sutra cu krenuti na jogu
nac cu mir u sebi, negdje je pao
valjda nitko uzeo ga ne bi
od sutra francuski ja ucim
da ti pjevam mon amor
ja mjenjam se
Ref.
Sutra je dan, sutra je dan
krece moje doba
do sad je samo proba
mijenjam se
Sutra je dan, sutra je dan
da zivot ja sredim
da vidis koliko vrijedim
mijenjam se
Sutra cu napravit kolace
zvonit susjedima
kupit cu tresnje
tetama na salterima
sutra se vracam na fakultet
kao stara greska
Klinci u holu mi se smiju
ja se samo smijeskam
sutra cu pjevat ove rijeci
ispred tvoga stana promet ce stati
i svi ce pjevat s nama
vidi sto radim, ponovno se gradim
mijenjam se
Ref.
Sutra cu imat muda
pozvonit ti, rec' oprosti
bila sam mlada
i nisam znala di je glava
propustila sam vrijeme
a vratiti se moze
Samo noc da prodje
samo noc da prodje
ova noc da prodje
ova noc da prodje
mijenjam se
Ref.
Sutra
Before the hook settles in, “Sutra cu ustati u sest” establishes the song’s particular point of view. It is worth noticing how the lyric controls scale: an intimate worry, a public event or a small domestic scene becomes large enough to carry the refrain. The recurring line then returns with a changed emphasis. That movement gives the writing its shape and helps explain why its central image is more memorable than a simple summary of the plot.
The lyric’s alternative-pop frame is most apparent in its willingness to leave emotional contradictions unresolved. Images and shifts in perspective do more work than a neat moral, and the speaker’s changing certainty gives the song room to breathe. Rather than flattening the experience into a slogan, it leaves listeners with the tension between what is wanted and what has already happened. There is no need to treat every first-person line as autobiography. The lyric constructs a speaker through what they repeat, what they exaggerate and which details they choose to disclose. That distinction is especially useful here: performance and feeling can coexist without being identical. The song’s unresolved edges are not a flaw to explain away; they are part of its expressive design.
One measurable piece of audience context is the matching YouTube page: vislollobrigida uploaded it on 2016-06-20, and the page had 956,163 views at the time of checking. The number is useful as a platform-specific snapshot, not as a substitute for chart history. The sources checked did not establish independent critical coverage or a reliable chart position, so the song’s wider reception remains uncertain.