Dejan Matic
Los Sin · Other Songs - Los Sin
tvoja raja bosa snima na minus osam
stil je klosarski jer sam klosar
to je pickasto, pojasom vezan vozac
I jebem ti malu i popisam da je oznacim
jer nista mi ne vrijedi k'o pjesaku vozacki
i samo cu se jos jedne teze dotaci
k'o ogledalo jer svak' se u njoj moze pronaci
Ulice su vrele, neko dila gandzu
neko grame bijele
neko krade auta, neko samo fele
rotacija u kvartu jer nest'o je mercedes
Ovdje svaki dan je ludilo
i vec svaki treci davno je poludio
jer kolac premal' je da bi svako imao udio
i zato mnogo njih se ubrzo nadje pred sudijom
Ref.
Gledam u nebo jer znam da cuva me Bog
i nocu kad rolam bengom ja vidim toliko tog
moji drze hotele, a juce' smo bili dno
sad jebemo top modele jer oni zele bas to
Sto me sada traze pored njih toliko
gdje ste bili kad sam bio niko
(Dejan Matic)
Gdje god sam krenuo tu sam i dos'o
i ako nisam stig'o jos onda nisam ni pos'o
fleks iz Roterdama, je, nije stig'o postom
kad kazem bavimo se svim, samo mislim na pos'o
Lova, bembare, drolje, bijelo pod nosom
novi air max na nozi, boli me kurac za bonton
ja hocu sve i jebe mi se kako doc'u do tog
moze nam samo pusit jer prebrz je protok
Nike, jebo Louis Vuitton
i da imam milion opet bi furao to
kapuljaca na glavi, jako sumnjiv hod
u dzepu deset panjeva, bokser ili noz
Jebo skolu, jebo matematiku
jebo vladu, sve ih nabijem na kitu
jebo skolu, jebo matematiku
lovu stekam u dzep, robu stekam u patiku, Los
Ref.
Dejan Matic
The first image, “Osjeti me i miris mog Hugo Bossa,” sets the emotional weather before the refrain can simplify it. That choice matters because the speaker is not simply reporting an emotion; the lyric stages how it is reached. The verses add complications that the refrain cannot entirely settle, so repetition feels less like a final answer than another attempt to make one persuasive. This gap between declaration and evidence is where the song becomes a character portrait rather than a generic statement.
Rap’s compressed rhyme and assertive persona make the verses feel like speech sharpened for an audience. The voice can boast, confess and contradict itself in quick succession; that is a dramatic device, not necessarily a factual autobiography. Here the most revealing question is what the performance is defending or exposing. The refrain gives the song a communal handle, while the verse preserves its sharper individual perspective. The text’s strongest effect lies in the contrast between its direct hook and the particulars around it. A repeated phrase can sound certain, but the surrounding images disclose hesitation, comic excess or unresolved grief. Reading those parts together keeps the narrator from becoming a flat emblem of heartbreak or bravado. The song leaves room for listeners to sympathize while still questioning the account being offered.
There is a checkable, if narrow, reception signal: IMPERIA posted the matching video on 2015-10-01; it showed 1,352,739 YouTube views when checked on 14 October 2026. That is engagement with one upload, not an all-platform audience or a chart position. I could not verify an independent review or a reliable chart entry in the sources checked, so neither popularity nor critical consensus should be inferred from the number.