Moroni

Luka Bulic · Other Songs - Luka Bulic

Pod haubom konji su, a u glavi kondori
IQ nesto slabiji i prejaki motori
konjske snage divljaju
od jutra do sutra
a najvece konjine sjede unutra

Moroni, moroni, moroni
moroni, moroni, moroni

Prek pjesackog prijelaza
ne mos' od straha ti
jer se pijan naganja krelac bahati

121 prekrsaj
al' jos uvijek vozi
pa tome treba stat na kraj
policijo pomozi

Moroni

The song imagines reckless drivers as powerful engines with almost no judgment behind the wheel. Its opening insult is crude by design, then the verses move to the more concrete danger of drunken drivers and a long record of traffic violations. The refrain’s repeated “morons” is less a nuanced diagnosis than a demand for someone—especially the police—to stop behavior that puts pedestrians at risk.

That shift from comic insult to road safety gives the track its sharper edge. The narrator is not interested in celebrating speed; the horsepower imagery is presented as a source of danger when paired with arrogance and alcohol. The text does not identify a specific crash or statistic, so it should not be treated as commentary on one case. No independent review or release context was located. Bulić’s satire turns the familiar frustration of encountering a reckless driver into a blunt public-service warning, even if its vocabulary is closer to a shouted street rebuke than a policy proposal.

This is social satire in a deliberately blunt, chant-like form: the repeated insult makes the song’s complaint memorable, while the verses supply the concrete danger of drunk driving and repeated traffic violations. The contrast between powerful engines and poor judgment is the lyric’s basic image, and the call for police intervention keeps the joke from becoming admiration of reckless behavior. Without a named accident or verified statistics, the song cannot be treated as a report. Its genre gives it the freedom to exaggerate, but its practical point is serious: road bravado is not harmless when pedestrians share the street.