Potpisi mi, brate

Luka Bulic · Other Songs - Luka Bulic

U predsjednickoj trci mjesto me ceka
znam, 10.000 vasih potpisa je cifra velika
al' vjerujem u sebe
i rekoh, ko ga jednostavno idem probati

Ako ih skupim dosta
predsjednik cu postat'
i bjezim s ovog posla

I zato
potpisi mi, brate
tu crno na bijelo
obecat cu ti sto ti srce bude htjelo

Potpisi mi, brate
tako ti Norris Chucka
zamisli, svaki tjedan
Bullhit s Pantovcaka

I na kraju samo jedno vas molim
zaklinjem vas krvlju
smijenite me odmah
ak' se uzoholim

Potpisi mi, brate

A would-be presidential candidate needs 10,000 signatures and asks the public to sign “in black and white,” promising whatever the heart desires in return. The lyric turns a formal nomination requirement into a street-level hustle: the candidate wants out of his current job, imagines power as an escape route, and makes campaign promises with the casual urgency of someone asking a friend for a favor.

In Croatia’s 2014 presidential election, candidates did need 10,000 voter signatures to qualify, so the song’s premise is grounded in an actual electoral threshold. The comedy comes from collapsing democratic procedure into an intimate bargain—“sign for me, brother”—and from the narrator’s transparent self-interest. No independent review of the parody was located. The song is less interested in a particular candidate than in the mechanics of ambition: collecting signatures is presented as the first step toward a job the speaker plainly wants for himself, while voters are invited to imagine how little a promise may cost the person making it.

The song turns electoral procedure into a comic sales pitch: signatures are the entrance fee, promises are whatever the voter wants, and the candidate’s real motive is escaping an unsatisfying job. That premise belongs to political satire’s long tradition of exposing ambition beneath public service language. In Croatia’s 2014 presidential contest, collecting 10,000 signatures was a genuine qualification requirement, so the lyric’s central obstacle is real even as the speaker’s bargain is absurd. The song’s “brother” address makes the transaction sound informal and personal, precisely the opposite of the civic formality it is parodying.