Radno mjesto kocijasa

Luka Bulic · Other Songs - Luka Bulic

Ovih dana sve je tako sjajno
ma bas je super, Lijepa nasa
nusi zaposljenje trajno
na radnom mjestu kocijasa

Svatko ima s konjima iskustva
procvjetat ce ova bransa
hranit ce se gladna usta
s radnim mjestom kocijasa

Sad se kriza blizi kraju
izmolim dva Ocenasa
jer bi htio da mi daju
radno mjesto kocijasa

Srecem svud po cesti konje
njihova je voznja strasna
ide male i od bologne
psujuc poput kocijasa

I na kraju, tako se to radi
ma bit ce ljepsa Lijepa nasa
ovima u nasoj vladi
treba dati kocijasa
treba dati kocijasa

Radno mjesto kocijasa

The premise is a job opening so absurd that it sounds like a cure for unemployment: the country is doing wonderfully, horses are everywhere, and a stable career as a coachman awaits. The narrator’s optimism is transparently false, turning the promise of permanent work into an image of economic desperation disguised as opportunity. The repeated appeal for a job is both comic and quietly bleak.

The song uses the old-fashioned occupation to expose the gap between official reassurance and the insecurity people actually feel. Its horse imagery is not presented as a practical labor-market proposal; it is a deliberately ridiculous substitute for the “better” jobs that remain out of reach. The entry does not specify a date or a particular employment policy, and no independent criticism was verified. The satire is strongest in its deadpan confidence: if the crisis is truly over, then even a carriage-driving job should be waiting around every corner. The joke lands because the narrator’s hope is sincere enough to make the fantasy sad.

The song is a satirical novelty piece that uses an obsolete-sounding occupation to expose how thin official optimism can feel beside unemployment. Its refrain mimics the confidence of a recruitment pitch, but the proposed job as a coachman makes that promise absurd. The humor works because the speaker’s desperation is genuine even when the solution is ridiculous. Rather than naming an economic plan, the lyric turns joblessness into character comedy; the listener hears a person trying to believe that any stable position, however implausible, might be available. That mixture of absurdity and need keeps the joke from becoming weightless.