Toeodor + Island
Luka Bulic · Other Songs - Luka Bulic
kamo bih pobjegao
od vremena olujnog
Od kopna do mora
tog Teodora
poslao nam je Bog
Prvo je pocelo
k'o iz kabla ljevati
onda puhati pa zatim sijevati
Od kopna do mora
zbog tog Teodora
sam poceo pjevati ovako
Pusi, pusi ti, zavijaj na sav glas
pusi, pusi ti, za Island spremi nas
nas Niko, nas Niko spreman je
zavrsiti taj film da vidimo Brazil
da vidimo Brazil
Toeodor + Island
A storm becomes a reluctant football song in this odd coupling of weather and national hope. The narrator begins by wanting somewhere to escape from the rain and wind, then turns the storm’s force into a chant for Croatia’s striker, who might finish the job and send the team toward Brazil. The lyric’s wordplay joins Teodor, the storm’s name, with Iceland, making bad weather part of the match-day story.
The piece preserves the anxious, improvisational mood of sport as it happens: forecasts, qualification hopes and the wish to see how the tournament will end all collide in one refrain. The entry does not state a date or match, so it would be risky to assert which storm or qualifying tie prompted it. Nor did I locate independent criticism of the song itself. Its charm lies in the quick pivot from annoyance to solidarity: even a storm that traps the narrator indoors can be recruited into the national team’s campaign, at least for the length of a parody chorus.
This piece is a quick topical hybrid: part weather complaint, part football chant, part improvised rhyme built around the storm’s name. That collage is characteristic of event-driven parody, which transforms whatever is in the news that week into material for a chorus. The lyric does not identify a precise match, and its references to qualification and Brazil are not enough to assign one confidently. Rather than treat it as a sports chronicle, it is more revealing to hear how the narrator recruits an inconvenient storm into national solidarity. Even bad weather can become an occasion to sing together when the team’s hopes are on the line.

