Volis me vise od svoje bivse
Luna · Other Songs - Luna
Njene ruke, njene usne
njeno telo, dala ti je sve
nije mogla minut bez tebe
Sad je neko novo vreme
zreo si za promene
ma nisi mog'o naci bolju od mene
Ref. 2x
Ta bura mojih hormona
alarme pali, a to ti fali
volis me vise od svoje bivse
a to me pali, djavole mali
Mala lepa, mala glupa
mala slepa bila ti je ta
kad pored oba oka nije videla
Ref. 4x
Volis me vise od svoje bivse
The narrator is not competing with the former girlfriend so much as enjoying the fact that the comparison has become a source of power. The other woman is dismissed in a string of cruel, comic opposites, while the new relationship is narrated through hormones, alarms and a deliberately mischievous “little devil.” The chorus turns jealousy into a game whose prize is being wanted more than someone who came before.
That brashness makes the song’s perspective knowingly unreliable. The singer calls the rival foolish and blind, but the boast reveals how much validation she still needs from the comparison. Rather than offering a portrait of secure love, the lyric captures the charged performance of wanting to be chosen—and wanting to hear it said out loud. The entry credits Luna but provides no verified release details or independent criticism, so this reading does not claim a wider reception. The track’s playful aggression is the point: it takes the familiar insecurity of a rebound romance and dresses it as triumph, letting the listener hear both the confidence and the vulnerability underneath.
As a cheeky pop song, it uses the competitive grammar of the love triangle but shifts the focus from the former partner to the new one’s need for reassurance. The narrator’s insults are exaggerated enough to read as comic bravado, while the repeated comparison—he loves me more—reveals how much she wants to hear the verdict. Pop’s efficient chorus structure suits that emotional loop: the claim is repeated until it sounds like confidence, even if the verses show insecurity underneath. The song is most interesting when it lets those two readings coexist rather than insisting that the narrator has truly won.

