Sin jedinac (feat. One Music)
Makk · Other Songs - Makk
Bjez'te curice s glavne ulice
kada prodje sin jedinac
nek' se okusa hor torokusa
niko od njih nije bitan
Ljudi dolaze i odlaze
neka idu i bolje
jer kol'ko sam im valj'o
treba da mi dizu kipove
Ono sto bilo bilo je
ne daj da pridju blizu
jer neki su samo uz tebe
da te za sicu izmole
I da okrenu ti ledja
i da te sa pricom izmore
jer rijeci su im prazne
ko vjera u zidne ikone
A Bog je svedok ja sam
njegov rob i posrednik
i nisam nikad htio
biti to sto svi
I ovde su dugi dani
kratke noci, nema cuda
ovdje ulice su porota
ljudi su ti sudac
I kriv si ako uspijes
pa cemu sluzi uspijesi
dok jedni grade mostove
drugi ljudi ruse ih
Ja znam od malih nogu jos
otkako sam bio klinac
dvanaest rundi Felix Sturm
ovaj zivot bice bitka
Broj deset, teska narav
obraz casan, bitan igrac
bijeli tigar, Neo Matriks
odabrani sin jedinac
Ref.
Kako biti andjeo
kad ovde grijeh je rodjen
mi smo jebeni heroji
samo brate gde je orden
Nema milosti za
kukanje i samosazaljenje
nema vremena za plakat
znas da pare znace vreme
Od nikog postat neko
malo bljesnes pa te traze
nisam andjeo sa greskom
pravim greske pa se snadjem
Za mene ces cuti svasta
ali to su rijeci prazne
to mi reci kad me sretnes
kad me sretnu onda mahnu
Zelim vrecu, zelim zlato
zato sam i solo igrac
jer na kraju samo vrijedi
ko si, sta si, kol'ko imas
Imam propuste na propuste
pa dalje tako redom
moj je citav zivot plan B
pa dalje abecedom
Ali sve dok je nove zore
sve dok me noge nose
prekinut cu ovu bitku
sutra opet nove pocet
Sve dok mi ponos daje
sve sto mi pod noge bace
pregazicu prepreke
i ako sve su Bogom date
Sin jedinac (feat. One Music)
“Sin jedinac” (“Only Son”) presents its narrator as a celebrity-sized figure on the main street, expecting girls to move aside and admirers to build him a monument. The lyric leans into swagger, but the title adds a note of family-centered identity: the only son may be indulged, protected or accustomed to being treated as special. The song never chooses between those readings. Instead, it lets the persona turn that status into a public boast.
There is a guardedness underneath the confidence. The narrator says people come and go and warns others not to get too close. That posture complicates the demand for admiration: he wants a statue, but does not seem interested in trust. The song’s flexing is therefore both an invitation to look and a command to keep your distance. One Music’s feature expands the track’s vocal arrangement, while the lyrics remain centered on the speaker’s carefully maintained image.
Makk’s song uses the theatrical exaggeration common to regional rap, where a persona can be both comic and aspirational. Independent criticism of this track is limited, so I won’t invent a consensus. “Sin jedinac” is a performance of importance that hints at the loneliness beneath it. The narrator wants people to know what he is worth, but his warning not to come too close suggests that recognition and intimacy are not the same thing.