Prati me (duet Mia Borisavljevic)
Marina Viskovic · Other Songs - Marina Viskovic
a pored tebe kazes da je svaka sestra
i za sve ti je izgovor pos'o
i sve moje ti je bas uvek prosto
Smeta ti kad plesem kao crna barbika
a ti bi hteo da sam ovo telo sakrila
oko tebe gole ribe na izvol'te
al' problem dekolte
Ma hajde podji sa mnom
rekli su jednom davno
kol'ko volis tol'ko dajes
nemoj nikad da se kajes
Ref.
Ja imam jedan zivot
i dajem mu sve
kad ljubim onda ljubim
i ne kajem se
prati me
Ti kazes dama treba da pije sok
a ti bi s drustvom malo bas u Bangkok
e moj dragi neces to postici
pre tebe cu ja, znaj, tamo otici
Sada odlazim i ne znam kad se vracam
sto pozelim sama placam
tebi takvom sebe sam dala
ma kakva budala
Ref.
Ceka te bela obala
gde ljubav slavi se
i sve sto nisi probala
desice ti se
sebi najbolja
dani ludi, noci besane
Ref.
Prati me
“Prati me” (“Follow Me”) is a duet about the small rules that reveal a relationship’s imbalance. The narrator complains that there is never room for her friends, while her partner excuses his own behavior as work and dismisses her concerns as trivial. She describes herself as a “black Barbie” when she dances, a vivid image of glamour and self-possession, then wonders whether he can accept her without trying to manage her. The title sounds like an invitation, but the lyric asks whether following someone means supporting them or controlling their steps.
Mia Borisavljević’s feature adds a second voice to Marina Visković’s account, turning a private dispute into a pop conversation. The song’s details—friends, excuses, dancing—make the conflict recognizable rather than abstract. It is not only about jealousy; it is about whose life gets room in the relationship. The narrator wants a partner who can stand beside her without treating her independence as a problem.
Specific independent review coverage is limited, and I won’t claim a wider audience verdict. “Prati me” works as a relationship argument with a danceable surface: it gives the singer a chance to name the compromises she no longer wants to make. The refrain’s invitation can be heard as a test. If you want to be with me, can you follow my lead sometimes—or must I always follow yours?