Nemoj da me trazis (FT. DEEX)
Marko Moreno · Other Songs - Marko Moreno
tebi treba BMW, kesh, bas sve
majmuni pozeri, belo
zar ne, de ne
A ti nisi znala
to sve dodje i ode za tren
sva ta kola, droga i kesh
Ref.
Sve sto sam rek'o
bilo je malo
bilo je malo
sto ljubav sam dao
Ma nek' te jebe drugi
bre nije mi zao
zbog tebe nisko sam pao
Samo nemoj da me trazis
nocima trazis, dok te bije i gazi
nemoj da me trazis i pricas te lazi
lazes sebe
En den dinu brate
ko kara bivsu
ko lera bembaru
ili voza prijus
Posla je za kintu
i digla je prasinu
a slusali smo Fjudzize
sad se sece na Severinu
Bila je mala i opasna
k'o Natali Portman
radi sve k'o u filmu
la profesional
Ja sam punio sarzere
ona praznila na mene
ja sam bio tu lud, glup
ma da me jebes
Medju njenim nogama
je k'o u lozi
u nju su natocili metilpropil
koji promil vise
pa se vozi, skloni se
1, 2, 3 i tako do 10 brojim
Da se smirim kad
pozove da se kresne
nisam kreten al'
pozelim biti davitelj
Dodje mi ponekad da
joj zavaljam karanfile
samo zamisli scenu
opalila je selfi u veceu
a ekipa opalila joj sestru
Ref.
Nemoj da me trazis
“Nemoj da me tražiš” (“Don’t Look for Me”) is a breakup song that refuses the usual competition over who has the better car, more money or more status. The narrator tells his former partner that all those things come and go, while the relationship’s emotional cost remains. But the lyric is not a serene lesson in letting go. He calls himself a fool, addresses the things she wanted and insists that she should not come searching for him now. The boundary arrives after the hurt, not before it.
That makes the song’s refusal feel earned but still vulnerable. The singer is trying to separate his worth from the luxury symbols he believes mattered to her. His insistence that money and cars disappear reads as both critique and defense: if he cannot compete on those terms, he can at least reject the game. The feature from Deex adds another voice to a track whose subject is the uneven expectations placed on a relationship.
Marko Moreno’s contemporary Serbian rap framing gives the lyric a sharper, more conversational edge than a traditional ballad. Search results did not yield much independent song-specific criticism, so a broader reception claim would be speculative. “Nemoj da me tražiš” is a declaration of distance with the old wound still visible. The narrator says not to come back, but the length of the explanation tells us the relationship has not become emotionally irrelevant.