Nista licno
Mia · Other Songs - Mia
takvu me niko nema
sama na vetru stojim
i sve je, sve je u rukama tvojim
U ove kasne sate
pale su lose karte
pogresnog srce bira
samo nek' sniva
Ref.
Vodi me, vodi me
dalje od pogleda
ma nista licno
vodi me, vodi me
jer ceka nas pobeda
ma nista slicno
Nista ne uzimaj
zdravo za gotovo
nocas pogotovo
licno, licno
O da
hej ti, mali, sve batali
s tobom bih se ljubila
O da
svaka ljubav je u stvari
lutrija, lutrija
Srce za srce dajem
briga me da li traje
ipak ima mracnu stranu
pa dodje mi, dodje mi k'o so na ranu
Ref.
Nista licno
“Ništa lično” (“Nothing Personal”) sounds like the moment a woman decides to inhabit the version of herself the relationship never got to see. She calls herself another woman, stands alone in the wind and admits that the wrong heart has been chosen. The title offers a familiar defense—nothing personal—while the lyric is nothing but personal: desire, disappointment and the late-night sense that a bad choice might still be worth dreaming about.
The song’s most striking image is not a lover but a hand of cards that has already gone wrong. The narrator knows the heart has chosen badly, yet does not seem ready to fold. That tension gives the track its atmosphere of doomed glamour: the night is still open, the cards are poor, and the singer lets herself imagine what might happen anyway. It is less a confession of love than an admission that longing does not always follow good judgment.
Mia’s performance belongs to the dramatic pop-folk style of a late-night ballad, where a strong refrain lets private ambivalence become public. Search results offered no reliable independent criticism specific to the track, so no broader reception is claimed. “Ništa lično” is not really saying that the affair or attachment is harmless. It is using the phrase as emotional armor—a way to act as though a decision can be detached from the person who will have to live with it.