Svoga tijela gospodar

Mikrofonija · Other Songs - Mikrofonija

Novi vodja na pomolu
jos jedan laze ocajnom narodu
kazu da je najbolji
pravi covjek da uvijek bude tu

Zna da ga slusaju
on upravlja njihovim mislima
on zna da vole ga
on upravlja njihovim srcima

Ref. 2x
Ja ne zelim to
ne zelim biti niciji rob

Mozda nisam dovoljno pametan
mozda nisam dovoljno star
ali ja sam svoga tijela
svoga tijela gospodar

Ref. 2x

Svoga tijela gospodar

“Svoga tijela gospodar” (“Master of One’s Own Body”) is a political warning about a leader who claims to serve the people while steadily taking control of their thoughts and hearts. The lyric sketches a familiar authoritarian pattern: a new figure promises to be the best, tells the public what it wants to hear, and turns admiration into a mechanism of obedience. The title offers the song’s counterclaim—each person should remain sovereign over their own body and judgment—even as the verses describe how power tries to erode that sovereignty.

The song’s bluntness is deliberate. Its narrator does not dwell on policy details or a particular regime; instead, it focuses on the emotional technology of leadership: lies, spectacle and the manipulation of belief. That generality gives the warning broad reach, but it also makes the listener responsible for connecting the image to real political conditions. The lyric’s most unsettling idea is that control can feel affectionate. The leader is loved, and that love becomes the route through which independent thought is surrendered.

Mikrofonija’s punk-rock identity suits a song built around skepticism of authority and the possibility of resistance. The search surfaced little independent criticism specific to this track. “Svoga tijela gospodar” does not claim that recognizing propaganda is enough to defeat it; it asks listeners to notice when their own thinking is being directed by someone who says they know better. Its title sounds like a declaration of autonomy, but the song makes clear that autonomy is something a society must keep practicing.