Ja nisam vas

Mile Kekin · Other Songs - Mile Kekin

Ja nisam vas
nisam vas od glave do pete
ja nisam vas
moji su dobili '45.

Nisam vas od glave do pete
nisam vas cijelim tijelom
vrijeme je da se ljudi sjete
da je crno crno, a bijelo bijelo

Nisam vas
nisam vas od glave do pete
i serem vam se na nijanse
znam tko je pred zid vodio vodio djake
nisu sotone punili vagone
vec neciji djede i bake

Ja nisam vas
nisam vas od glave do pete
nisam vas ma nek mi prijete
nisam bas cijelim bicem

Tako cu ucit svoje dijete
da se takvom olosu ne mice
ja nisam vas
nisam vas od glave do pete
ja nisam vas
i tako cu uciti i svoje dijete

Ja nisam vas

Mile Kekin’s “Ja nisam vaš” (“I Am Not Yours”) is a political refusal that begins with a family memory and widens into an argument about historical responsibility. The narrator rejects being absorbed into a collective identity, then invokes 1945 and the memory of who led students to their deaths and who filled the trains. The song’s most forceful claim is that atrocities cannot be softened into vague moral equivalence: someone made the choices, and those choices belong to actual people and families.

That directness explains the song’s confrontational tone. The singer is not trying to reconcile every listener or make the past comfortable; he is drawing a boundary against the use of ambiguity to evade responsibility. The repeated “I am not yours” becomes both a personal declaration and a refusal of inherited political allegiance. The lyric asks listeners to remember that history is made by people, not by faceless abstractions called evil.

Vijesti.me covered the song under the headline “Ja nisam vaš, moji su dobili ’45,” placing its central phrase and historical reference at the heart of the discussion. The track sits within Kekin’s wider career as a Croatian rock songwriter associated with Hladno Pivo and later solo work. No broad critical consensus is assumed here. “Ja nisam vaš” is most effective as a deliberately uncomfortable act of naming: it rejects the idea that every inherited story deserves equal moral weight, and insists that remembering the dead requires telling the truth about who harmed them.