Samo kes (feat. Rimski)
Mimi Mercedez · Other Songs - Mimi Mercedez
mene lozi samo kes
samo, samo, samo kes
samo, samo, samo BG, Berlin ili Bec
BFODJ samo kes i da vise nisam cula rec
ako ne donosi kes
Njega lozi samo kes
njega lozi samo gas
kad odemo bilo gde
svi gledaju u nas
Osim toga sto je lep
ima nadrkani stav
mene lozi samo kes
i mi smo savrseni par
Brda kurvi i debila
zavisnih od gudri i promila
on navucen je samo na novac
koji se gomila
Rekla sam mu bas si krimi
mora da te zovu Dzimi
idemo jedno uz drugo
kao stihovi u rimi
On mi kaze da mu prija
moja ambicija
i sto gazim sve do cilja
ali nisam zmija
I sto umem i da stvorim
a i da se borim
on mi kaze da me voli
jer sam pravi vojnik
Decko moj zna da kad je sranje
da smo zajedno u tome
decko moj prenosi znanje
a tvoj samo kondilome
Skupljamo medalje
dok ne napunimo regal
pare iznad svega
osim sestara i njega
Ref. 2x
Jer nju lozi samo kes
njega lozi samo kes
Mala je prava masina za kes
opere pare k'o masina za ves
ugovori, koncerti, potpisi
mobilni zvoni mi, novac govori
Pa, pa cujem alapace i glupace
jer puni kasu a ne serpe i kutlace
english, deutsch, sprache, nein
desna ruka malo kuja, malo huslin'
Kes tece, znaci cash flow, baby
lova i sex to je pali
mi smo tim, mi smo in
skupa sranja kao Kanye i Kim
Ceo klub gori kao Marakana
topim zlato, lete pare
prskamo sampanjac
beogradska kuja, aleluja
Ref. 2x
About Samo kes (feat. Rimski)
"Samo kes (feat. Rimski)" finds Mimi Mercedez in a pop-minded frame, where a clear central idea and emotional directness carry the song. Its appeal comes from commitment to a single emotional temperature rather than from trying to impress through sheer scale. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. Small changes in intensity keep the song moving and stop its main idea from becoming static, giving the performance a natural sense of flow. For listeners returning to Mimi Mercedez, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. The result is a focused piece of music that works in the moment but still has enough character to invite a return visit. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Mimi Mercedez avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.

