Ti me drogiras
Mimi Mercedez · Other Songs - Mimi Mercedez
Vise nisam ista k'o pre
ti me drogiras
tvoja ljubav tera na strejt
ti me drogiras
Ne znam da l' sam prsla il' ne
ti me drogiras
ti me drogiras
cime me drogiras
Pa se od svakog dodira topim k'o da dzogiram
previse sam gotivna, ne mogu da isfoliram
samo trazim nacin da se osim tebe stoniram
sto sam umornija, to sam upornija
Otkrivam sta je erotika, pre opsesije
s tobom bila sam samo devojcica
cudan sjaj u ocima sto stvaras samo ti
vise puta sam svedocila toj tvojoj magiji
Ja bez tebe necu brak, ja bez tebe necu decu
ti si osnova za sve, ti si podloga za srecu
na oci pada mrak kad te dira drugi neko
nije problem da te delim, ali samo kad ja zelim
Ref.
Ti si ideologija
vecna borba za slobodu, dozivotna robija
od svakog dodira topim k'o da dzogiram
od tvoga mirisa postajem vampirica
I pijem tudju krv samo da dodjem do tebe
ne, meni ne treba vreme da sve drugo odjebem
kada si u mojim rukama ja mogu sve
da te delim s drugim kuckama, pa ne ide
Nije tesko da te osvojim kol'ko da te zadrzim
znam da ne smem da se opustim, zavrsices sa brzim
spretnijim, pametnijim, zgodnijim
sto dalje si od mene to se cinis neophodnijim
Ref.
Da li da se prepustim
ili da te ne pustim
Ma da se prepustim
About Ti me drogiras
"Ti me drogiras" finds Mimi Mercedez in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Mimi Mercedez, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Mimi Mercedez avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.