To je ta

Mimi Mercedez · Other Songs - Mimi Mercedez

Reperi se brukaju
cimaju se za moj flow
smekeri ga drkaju
primaju se na moj show

Da sam tvrda, tvrda sam
to je jedino sto znam
vode se rasprave da l' dilujem
il' karam sve za gram

Svi su zabrinuti za moj sistem
sistem vrednosti i estetiku
u spotovima furam
striktno hud estetiku

Nosim lazni Gucci, a i lazno krzno
pridji mi polako, da te sjebem brzo
jer sam opasna, iako nisam opasana
Mimi Montana, Mimi Copacabana

Kao jezik preko klice
rime preko trake klize
jer i ovaj Mercedes
se pokrece na dizel

Ref.
Vide me i kazu to je ta
cuju me i kazu to je ta

Kada pipnu me
i zakljuce da stvarna sam
vise ne sumnjaju
kad kazem da sam najbolja

Oni vide me i kazu to je ta
cuju me i kazu to je ta

Kada pipnu me
i zakljuce da stvarna sam
vise ne sumnjaju kad kazem
da sam najdeblja

Reperi se nadaju
nekom bifu ili disu
ali Mimi nije takva
nadajte se samo kissu

Sve pevacice, igracice i konobarice
to su moje mackice, sestre, drugarice
nece niko da nas tlaci
dok ne postanemo starice

Na laksi nacin uzimamo parice
na zurci dosta dobre 'zike
sigurno i Mimi tu je
u spotu dosta dobre picke

Sigurno su moje kuje
pa da vas cujem ko kida majk, Mimi
a zartical ti pali bulju
poslije danima se dimis

Jer i ovaj rad je krimi
ne smaraj, nego se primi
kad me vidis u blizini
uzmi kameru i snimi
jer

Ref.

Jedna vise debela
jedna manje mrsava
frku ne zapocinjem
ali je zavrsavam

Za repere sam isto
sto za Delije Savija
svaka riba cima se
da bude mrsavija

Sanja bogatog lika
sampanjac i kavijar
moj san je jednom dnevno
sveza buxna, pa Mek Slavija

S drugim reperkama
ni ne ulazim u spicu
jer sam najveca, najsvezija
k'o hed na Konjarniku

Pitas ako sam gengsta
sta cu onda u minicu
ortak ja sam u minicu
zbog da posisas mi klicu

Kad je u pitanju zestina
brzina ili rivanje
nikad zlatna sredina
dijamnatsko preterivanje

Ref.

About To je ta

"To je ta" finds Mimi Mercedez in a pop-minded frame, where a clear central idea and emotional directness carry the song. Its appeal comes from commitment to a single emotional temperature rather than from trying to impress through sheer scale. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. Small changes in intensity keep the song moving and stop its main idea from becoming static, giving the performance a natural sense of flow. For listeners returning to Mimi Mercedez, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. The result is a focused piece of music that works in the moment but still has enough character to invite a return visit. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Mimi Mercedez avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.