Mladi pistolero
Monteniggers · Other Songs - Monteniggers
ja sam b'ate
e, sto se cini
ma nista, covjece, uzas
reci mi, jesi bio vanka sinoc
jesam, jebo te, znas sto se desilo
ne seri, sto
neces vjerovati, slusaj ovo
Bio je pun bijeli mjesec i crna vedra noc
kad u nocnu setnju ja sprem'o sam se poc'
obuk'o sam jaknu i navuk'o vunenu kapu
i polako izas'o da ne probudim mamu i tatu
A kada je izas'o iz svoje kuce
on nije znao da uskoro bice vruce
osjetio je odma' da ga neko prati
da zivota zeli da mu se lati
I nista ne slutec' u sred tog crnog mraka
iza sebe cuh zvuk necijih koraka
polako se okrenuh i vidjeh iza mene
kako me prate tri poznate crne sjene
Srce mu je pocelo jace da lupa
ouh, kakva sada situacija glupa
da potrci desno ili mozda lijevo
sve u svemu, njemu je uskoro pop zapjev'o
Dje cu sad, lele mene jadnom
kojom sad da krenem bandom
potrcacu desno pa sto mi bude
mozda te face ne stignu da mi naude
I sekund posto misao ta na um mu pade
nesto tvrdo udari ga posred brade
pa nogom u stomak jos jedan sut
onesvijescen jadan pade na vlazan put
Kisne kapi na mome licu
otjerase mi iz glave nesvjesticu
bijah pokraden, skoro polu gol
u glavi i stomaku parao me strasan bol
Zar ovako da nekoga prebiju i pokradu
i to u njegovome rodnom gradu
tako mu i treba kad se nocu seta sam
setnju je mog'o odloziti kad bude dan
Dosa' je doma otecen ka' slon
do kreveta ne stize, pa pade na itison
probudi ga ujutro suncev zracak prvi
u ustima jos bijase zgrusane krvi
Od silnoga bola doslo mi je da se derem
te odo' ja pod tus da se malo operem
peklo, peklo, peklo me, pec' ce i vas, majke mi
najebacete svi
Kao sto je naumio, on uradi to i iste noc sijeva
kod jednog kafica rafal se cuo sve do neba
lezase oni mrtvi tu i snivase vjecni san
a on se okrenu lagano, baci pusku i ode sam nasmijan
Sve je bilo tuzno noci te
hej, gadan li si, zivote
I sada mislim o svome daljem zivotu
kako u cet'ri zida ja dozivjecu stotu
raskrsce sa dva puta
put za pakao ili mozda na nebo
Okovi, celija, samoca, ludilo
griza savjesti, ma zivot je sranje
i sranje je zivot
Ako postoji Bog, Boze, oprosti mi
i sve moje grijehe sada speri ti
ako to, samo to ne uradis za mene
onda zivota nema nego odmah ubij me
About Mladi pistolero
"Mladi pistolero" finds Monteniggers in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Monteniggers, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Monteniggers avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.