Possessiveness
Nidza Bleja · Other Songs - Nidza Bleja
Ti bi htela da ti dokazem
i da ti pokazem
da su tvoje usne
sladje nego njene
Dokaze, ne trazi dookaze
da si samo moja, pokazace vreme
dokazem i da ti pokazem
da su tvoje usne sladje nego njene
Ma ne trazi dokaze
da si samo moja pokazace vreme
Sumnjas da sam ti neveran
jer ponekad preteram
iako druge ne gledam
za tebe nista to ne vazi
Sumnjas i kad se doteras
i sve od sebe oteras
sama sebi nisi dovoljna
sa tobom vise ne znam sta da radim
Nisu tvoje oci moje oci
pa da poglede kapiraju
samo si ljubomorno fina
i zato te nerviraju
Nisu tvoje oci moje oci
pa da te provociraju
to je tvojim drugaricama krivo
pa glupu pricu ti serviraju
Ref.
Sumnjas u moju iskrenost
i mislis da je ispravno
da imas prava da mi radis to
al' to nije normalno
Sumnjas i kada nemas razloga
najgora si kada si najbolja
sama sebi nisi dovoljna
sa tobom vise ne znam sta da radim
Possessiveness - Nidza Bleja
Nidza Bleja's 'Possessiveness' stands as a defining track within the Yugoslav electronic and dance music landscape. Released during the late 1990s, the song exemplifies the genre's characteristic fusion of atmospheric synths, driving basslines, and emotive vocal delivery. As a staple of the regional club scene, the recording captured the raw energy and introspective mood that defined the era's sound. The track has since become a cornerstone of Bleja's discography, frequently cited in retrospectives on Yugoslav dance music and influencing subsequent generations of producers in the Balkans. Its enduring popularity reflects the song's ability to transcend its specific cultural origins while maintaining a universal appeal in electronic music history.