Prijetnja
Pankreas · Other Songs - Pankreas
gdje stalno netko ratuje, stalno netko prijeti
bogati nas vode zedne preko vode
a mi bi samo malo vlastite slobode
Umovi nam zatrpani sistematskim sranjem
pa se vise ne vidi pravo stanje stvari
hodamo k'o ovce, robovi za novce
ako ovako nastavimo jesti cemo moljce
Prijeti opasnost, stado se skuplja
gospodar zivota ruke fino trlja
prijete nam uzet ono malo kaj je nase
nekima nazalost uzmu samo flase
Otkada je svijeta, otkada je vijeka
vrijedi prvo ih zaplasi pa im nesto ne daj
zabrani da su sretni i da fino zive
jer oni rezu kulen, ja si rezem zile
Ref.
Al Kaida, trava, Hamas izaberi prijetnju danas
mozda ne znas da se bojis
ali vrijeme je da saznas
Pored zdravih ociju kolektivno slijepi
pricamo o parama, poslu, kuci, dijeti
terorist nam prijeti, veliki crni jeti
vodja Al Kaide dio Serengeti
Ugrozenost proizvodi neke nove mjere
valjda ce me uskoro gledati dok serem
ovcama podijelili su unikatne brojeve
da brojeve selektiraju kupili su strojeve
Prijavio sam babu sa sedmoga kata
vidio sam bombu kroz odskrinuta vrata
sumnjiva familija na cetvrtome katu
zena devet klinaca dilaju za ratu
Puno ljudi udje, puno ih izadje
para uvijek fali, za ratu se snadje
moju karu guraju za interese tudje
stanje je uma sve ludje i ludje
Ref.
Ovcama banditi ne daju ni piti
na zidovima grafiti za sve moras podmitit
razmisli je l' je to svijet u kojem zelis biti
za koga se zelis borit, a od koga vjecno kriti
Manipulacije nacije prolaze bez reakcije
prodane duse za gram satisfakcije
brojevi, liste, zlocincima grade biste
ubojice ceste koriste kao proklete trkacke piste
S TV-a u mozak instalirali su sustav
sustav koji voli te kad mutav si i glup
a nagradjuje laz, muljanje i bjesomucnu kradju
kad opravdanje traze novu prijetnju nadju
novu prijetnju nadju
Ovaj sistem nas jebe i kara nas u glavu
kad ti kazu da si lud tada znas da si u pravu
kolektivno isti svi brojevi na listi
prljavi k'o svinje a hoce biti cisti
Robovi simbola, crkvenih dogmi i skola
nepotizma i korupcije, izlizanih parola
patrioti svoje zemlje, tu penzic jede zemlje
doda snitu sira i puno ne sere
Ak' velis da je super, hajde daj dovuci dupe
za veceru je sranje podgrijano od jucer
ko nam jebe mater kad robovi smo ljudi
kaj vole situaciju gdje narod se ne buni
Maleni tajkuni, racuni uvijek su puni
sin vozi jako dobar auto, vozi k'o Schumi
ak' zapne mrtvo dijete na alu felgi gumi
gledaj ravno, u Hrvatsku se kuni
Ref. 2x
About Prijetnja
"Prijetnja" finds Pankreas in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Pankreas, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Pankreas avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.