Dve lose (feat. Djomla KS)

Projekat Band · Other Songs - Projekat Band

Kaze mi, kaze mi, kaze mi djavole
kakve imas planove, planove, planove
palimo hotele ili palicemo stanove
stanove, stanove

Gledaju ih bledo, kao, kao usred pljacke
okrenule su klub tako lako naopacke
jedna je andjeo, tebe je zabola
druga gleda mene, k'o da, k'o da trazi djavola

Kaze mi djavole, kakve imas planove
palimo hotele ili palicemo stanove
ma imam planove, drzi me za dlanove
ko je kriv za pozar, kad odemo nek' ustanove

Sve gore tribine
zbog njih pola grada gine
njih dve su u paketu
pogodak u pravu metu

Ref.
Dve su lose dosle i ceo je klub
zeleo da bude drugaricama drug
takvih riba nema ni sever ni jug
ja lud, ti lud

Obrni jednu turu pa pozovi ih ti
u modi nisu dobre, a lose zele svi
po jednu k'o bombonu za svakog od nas
daj gas, daj gas

Samo da nas krene

Ovde je ludo kao u Kolumbiji
trosimo kao da smo dobili na lutriji
nije nase, nasli smo, kazacemo sudiji
pojacaj muziku dok bezimo muriji

Dignite ruke gore, ovo je pljacka
odvodimo njih dve, dzaba vam znacka
dzaba vam pare i kombinacije
sta to bre tu sija, brate, sijaju rotacije

Ref.

Kaze mi djavole, kakve imas planove
planove, planove, planove, planove
palimo hotele ili palicemo stanove
stanove, stanove, palicemo stanove

Ref.

About Dve lose (feat. Djomla KS)

"Dve lose (feat. Djomla KS)" finds Projekat Band in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Projekat Band, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Projekat Band avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.