Tika taka
Prti Bee Gee · Other Songs - Prti Bee Gee
ja ne jasem vec vozim
zelenog jarisa
na svakoj lepoj drozi
Oci su mi zelene
a plave kad je sunce
jure me kurve
da im napravim mladunce
Peti nam je album
Petarda se zove
Petarda, kokte
da namazem na kljove
Vozimo se, duvamo
bez kurtona guramo
sad valjamo pesme
gudru ne rasturamo
Nosimo uniformu
kao policajci
najveci gangsteri
u Prti Bee Gee majici
Na koncertima ludilo
na festivalu haos
jer u bekstejdzu
uvek vucem na nos
Dojavu dobijam
na mobil telefone
da me plavi
ponovo progone
Cike none none
razumi me Sone
Eufrat kurajber
ne nosi kurtone
Ref.
Srce kuca, tika taka
na ulici u sred mraka
'oce mene i ortaka
Celija kod Padinjaka
Kad ispalim par metaka
nigde nece obestaljka
Tokio na Karodima majka
ubojicu cetvrtaka
Citav zivot
jurili me plavi
jer Cigi i Moskri
su ortaci celavi
Coman bese on
ali ipak ja sam veci
pandur kad me sretne
stav mi je lezeci
Because i'm a Ganci
ain't havin' fun
3 puta izboden
5 puta ranjavan
Debeli i garavi
zene su vam karali
Miloradu i Sonetu
i nisu se umarali
Odradicu robbery
necu se ukakit
i said Fuck IT
skidaj satove i nakit
Spenks u civilu
prangiju je poteg'o
metar dana kasnije
povredama podleg'o
U citulji je pisalo
da mi jako zao
sto sam giju brze
ja izvukao
Now you see
i'm not mister nice guy
posl'o ovog cetvrtaka
sada ide pravo u raj
Ref. 2x
About Tika taka
"Tika taka" finds Prti Bee Gee in a pop-minded frame, where a clear central idea and emotional directness carry the song. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Prti Bee Gee, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Prti Bee Gee avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.

