Lepa li su sela Kolasina
Radivoje Bisevac Biske · Other Songs - Radivoje Bisevac Biske
Jasenovik i Dobrosevina
Vitakova, Velji breg, Sipovo
Krligate, Strmac i Burlate
Prevlak, Klecke, Paruce, Preseka
pa Ledenik, Vrba, Lucka reka
Zupce, Prelez, Varage, Ugljare
sva su sela Srpske raske stare
Drijen, Crepulja, Zagulj i Rezala
pa Jabuke velika i mala
Dragaljica i Babudovica
Jagnjenica, Bube, Pridvorica
Gazivode, Kijevce, Junake
pa Kobilja glava i Brnjake
pa Kovace, Kaludra, Tusice
Zecevice, Padine, Rancice
Kozarevo, Oklace, Cecevo
sva su sela meni tako draga
sve od Zupca do Gornjih Varaga
Bojnovice, Zarevi, Babice
Pa Rujiste i Drainovice
pa Stuoce i Kopilovice
pa Cukovac, Banje, Vranovice
Vojmislice, Vukosavljevice
Pa Citluk, Cabra i Ceseljanovice
osim Cabre koja je siptarska
sva su sela srpska Svetosavska
sva su sela meni tako mila
Pa su braca mnoga odselila
odselila mnoga nam plemena
zanemela sela napustena
ugaseni odzaci i ognjista
Ej od Oklaca pa sve do Rujista
stare kuce i staracke ruke
od Junaka do sela Jabuke
nit u Strmcu starih Orlovica
U Ruscima ni jednog Cukica
u Crepulji malo je Djurica
malo kca osta u Drijena
prazna skola k'o da je i nema
Otisli su i Djusici mudri
jos po neka kuca u Kaludri
nije bolje ni selo Burlate
dve tri kuce osta u Rovaca
U Jabuci nesto Bisevaca
ni Padine mnogo bolje nije
ej Rujiste zadnju bitku bije
svi odosmo ko pcele u cvetu
Rastureni po belome svetu
ko u Cacku ko u Lazarevcu
Beogradu ili Kragujevcu
Mitrovici ili u Kraljevu
Pozarevcu ili Smederevu
u Pancevu i Arandjelovcu
Milanovcu ili u Topoli
kad se setim dusa me zaboli
Nikog nema da za zdravlje pita
nit u polju radnju da cestita
svud' je prazno tuzna je tisina
po selima starog Kolasina
Ej sve pritisli korov i kopriva
gde su bili torovi i bacije
tu se legu skorpije i zmije
prazan sokak a nigde torova
Ne cuje se buka od volova
nit se cuju zvona medenice
nit se cuje pjesma cobanice
nit se cuje pjesma od kosaca
Nit ces cuti decijeg placa
nit se cuju gusle javorove
nit cobanin cobanicu zove
nit se cuje frula, harmonika
Niti selo ispraca vojnika
niti ima komisanja prela
nema djaka nema ucitelja
eto kakva ostase nam sela
Ej Kolasine najlepsa Srbice
sto je tvoje potamnelo lice
omladinu kud si rasturio
gde si svoju dusu izgubio
Sve je manje ljubavi i sloge
odselile porodice mnoge
mnoge su ti kuce napustene
a mladici tvoji se ne zene
Nit kolevke nit decijeg placa
nema nama opasnijeg maca
jer bez dece buducnosti nema
ej Kolasinu tisina se sprema
Kad se setim sve me hvata jeza
bilo nas je vise no Engleza
sad Engleza mnogo vise ima
sta je snama veselim Srbima
Ozen i se Kolasinac more
pevacemo i igrati do zore
znas li da su deca ukras sveta
a tvoje selo
Kolasinke lepotice moje
da od sada radjate potroje
po cetri zlatna je sredina
pa i vise ko moze i ima
Ako li me vi ne poslusate
placacemo grehove da znate
neko drugi moze da prevlada
necije ovce toga je livada
About Lepa li su sela Kolasina
"Lepa li su sela Kolasina" finds Radivoje Bisevac Biske in a pop-minded frame, where a clear central idea and emotional directness carry the song. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Radivoje Bisevac Biske, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Radivoje Bisevac Biske avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.