200 (feat. Corona)
Rimski · Other Songs - Rimski
pun gas, nocas ne postujem pravila
dupla puna, ni to mene ne zanima
moram da je nadjem, za nju ne postoji zamena
I pun gas, i pun gas
nocas vozim 200
Pun grad i noc od mene sakrila je
i sve case od kristala polomicu zbog nje
i milion je zena, al' ona je moj greh
kad me ljubi kao zvezde Paris Shanzelize
Parfem Dolce & Gabbana, mala opet mirise na skandal
a ja lutam pijan, sto kafana ove noci
zbog tebe ne mogu da spavam, 'ajde dodji
Ref. 2x
I pun gas, vozim 200
i pun gas, nocas vozim 200
Ona kao Mona Lisa, u svakoj zeni vidim nju
i svaki zlocin pamtim k'o ulice u Cirihu
na vratu dijamanti, ja ispraznitcu riznicu
zapaljiva k'o benzin, daj mi sibicu
U pogledu joj gori grad
vidim bledo, gledam njene oci vatrene
zbog tebe bih da umrem mlad
ispod sminke lose krijes svoje namere
Ref. 2x
(I love my girl, she's on fire)
About 200 (feat. Corona)
"200 (feat. Corona)" finds Rimski in a pop-minded frame, where a clear central idea and emotional directness carry the song. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Rimski, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Rimski avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.