Pobede

Rimski · Other Songs - Rimski

Ref.
I sve sto vidim, vidim
lazne osmehe dokle bre
sklopim oci ali osecam
zle poglede sotone
sampione svi, izadjite na prozore
i nema milosti, nemoj da molis ni ti
mozes da volis me, da mrzis me
tu ostajem i znam da
mnogi hteli bi da potonem
al o tome drugi put
jer vremena nedostaje
al do tad sve sto radim
sve sto radim to su pobede

I ko zna zasto je to dobro
mozda predugo se cekalo
na skorpionov otrov
dok vi snimali ste pesmice
davali intervjue
mene grlio je ghetto naduvanog
sa dve ku**e

Gledam ortake kako propadaju
vise se ni majci ne dopadaju
sve za gram dopa daju
i zasto uvek spustas pogled
kad te sretnemo
picko uzecemo lovu
necemo da trepnemo

Go Himalaji
rolamo taj zlatni ket
usevozaprenje blizu ako
trazis kvaljitet
opet pakujemo majmune
sisamo te na kratko
ako vec idem u pakao
nek bude prvom klasom

Rimokilla, dok drugi
pricaju ti bajke
dos'o sam po vase kucke
i po hiljadarke
imam predatorsku zenicu
i vidim kad je sansa
kidam centarfor u meni
svi s' tribina vicu daj ga

Ref.

Jeste, bio sam iskren
ali vise nema sanse
da pokazem svoje lice
ovo je jebeni maskembal

Juzna Srbija je surova
bez prastanja
uso sam u rep sranje
kao olosi u Alkatraz
wooo

Odabran sam kad sam rodjen
ovo ime pamte svi
reci kako se zoves
ja samo jurim lovu

Maksimum je stepen budnosti
ok veciti talenti mi
prosipaju mudrosti

U samom startu samo mi
govori nema te
o undergroundu necu
jer je izgovor za neuspeh
ja znam ko sedi mi za stolom
nemoj da se kunete
jer, brzi ste momci
proci cete kao Sumaher

Sa Bugarima sema kad je
u kesu do lakata
a s' bratkom u go eba majkata
razbiras, nema me u dosijeu
nema sudjenja ni parnica
gospodin Jovanovic
motherfucking Joca Amsterdam

About Pobede

"Pobede" finds Rimski in a pop-minded frame, where a clear central idea and emotional directness carry the song. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Rimski, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Rimski avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.