Instinkt

Sassja · Other Songs - Sassja

Hodas sam,
gdje god si, uvijek sam,
tek s vremena na vrijeme uleti
neko kao oslonac

Stavim snove na povodac,
vežem okolo konopac
I ko mi kaze ne mozes
sjeb'o se, nije svjestan

Napravi mjesta
za hrabre ide pjesma
uporno ne odustajem,
jesam bahata, nek sam

Mahalanje ne znam
znanje pokazem djelima
ja sam svemir
moja je silina nemjerljiva

Nema ne mogu,
hladno nemoguce odradim
silovito obzor
nemogucnosti nadogradim

Cim jutro ugledam
zvijer u meni proradi
danas je dan nove
rekorde da postavim

Samo cisti poslovi
mrznju i zavist ostavim
za male ljude sto hoce
tudji pad da ih proslavi

Dje ste oholi,
sta si rek'o, ponovi
ja sam Sassja i sve mogu
aj se pokloni

Ref. 4x
I vjerujem u oci sto vide
i usima sto cuju
svoj instinkt pratim
nisam ta sto prati rulju

Tudje greske ne prihvatam
mozda meni budu spas
prihvatam da svi smo drukciji
pa u svoj gledam kompas

Ali nisam uvijek kontra
i tvrdoglavost je kobna
al' tacno znam gdje je
losa strana a gdje dobra

Hocu prije bora
cvrsto korake da utabam
samo meni svojstvene
jer ja u grupe ne spadam

Nacionalne manjine,
političke vecine
ja sam jedinka
ne definise me ime

Znam odakle jesam
i mislim, dakle jesam
svojom glavom znam gdje cu
i gdje sada jesam

Takavm mi stav mahnit
nikad za tudji vezan
Imam vjestinu ludoscu
da pobjegnem od svijeta

I ko mi je vodja pitas
ja sam vodja za sebe
Tudje uvijek postujem
jer svi imamo razloge

Uz volju, ljubav, snagu,
radom dalje opet lako je
ja sam Sassja i sve mogu
prosto tako je

Ref. 4x

About Instinkt

"Instinkt" finds Sassja in a pop-minded frame, where a clear central idea and emotional directness carry the song. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Sassja, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Sassja avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.