Jemen

Sassja · Other Songs - Sassja

Muziku volim
odmah rimam na taktove
previse je sveta zika
da je dijelim na zanrove

Klimam istom glavom bolan
i na riffove i dubove
tako i za ljude buraz
imam slicne stavove

Dobri i losi
znas da ne gledam zastave
ako nisi ciste naravi
nema dalje rasprave

Nas i njihov, niciji
takve price ljude rastave
pa prave naprave
za borbe i ratove

Ref. 2x
Laktove, svako svoje gura
hoce na bolje, najbolje
mozda da se pomirimo
tako je

Lako je smijati se drugom
zbog tog' kakav je
svi probleme imamo
svakom njegov put hrapav je

Napolje, ja bih
ipak tamo negdje najprije
slobode i ljubavi
samo toga da mi je

Al' dzaba to govorit
kad od skoljke dalje ne cuje
svak' u svoje stado
i sa tudjim se ne vezuje

Gluhi za tudje nevolje
pa tudje ne vole
al' doslo vrijeme ludo
pa mrze i svoje redove

Pa mrze svakog
ko je drukciji od njih
svi od drugog pametniji
pa se mrzi uspjesniji

Pa kad nema sta drugo
onda mrzi se i losiji
jer nije na nivou
on je gluplji i ruzniji

Nece ljudi da uce
neznanje pravi barikade
pa pogledam u proslost
sve balada do balade

Dusa tada zaboli
i danas sve to rade
iz neznanja ulazu
u bombe, barut i granate

Ref.

About Jemen

"Jemen" finds Sassja in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Sassja, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Sassja avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.