Nemam vremena

Sassja · Other Songs - Sassja

Je l' nasa, imal' para
koja je klasa
kakva ljubav, postovanje
sve je plan i praksa

Od braka pa do posla
ne gledam dalje od nosa
i uvijek mrzim tudje
zbog svog nacionalnog ponosa

Tako samo znam
od malena tako vodjen
da pazim drzavne granice
i kad kosku glodjem

Je l' vidis da nam vodje
iz pekare daju mrve
ti i ja smo jedna strana
nema glavne niti prve

Isti je to Bog
taj Bog tvoj i moj
drukciji su naslovi
a sve isti kroj

Otkud vremena za to
da se odlazi u boj
jedan zivot imam samo
nemam vremena za zlo

I nije samo kod nasi
cijeli svijet k'o u tamnici
drzave su svugdje firme
a mi samo radnici

Po naredbi vodje
postajemo ratnici
ne vidim ime
gledam mane i vrline

Jedan zivot svoj ne dam
rukovodstvu firme
zivot ispred firme
ponosim se time

Jer historiju vodje pisale su
kako im je volja
danas uzmu onu koja je
za njih bolja

Tako puno olajavanja
slabo uvazavanja
malo razumijevanja
i previse kaznjavanja

Djelovanja malo
previse obecavanja
premalo razgovora
za tolika ranjavanja

Otkud to da mrznja
postaje snaga
a pare i moc da
nose vladavinu prava

I cudimo se svi danas
kad pobijedi pravda
nemam ja vremena
malo je za mrznju dana

About Nemam vremena

"Nemam vremena" finds Sassja in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Sassja, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Sassja avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.