PMS
Sassja · Other Songs - Sassja
ja Ena, Ana i sa Irca ona Goca
Jer ovi sto vladaju od zle majke i goreg oca
Imaju plate i moc a opet nije dosta novca
E pa ne,ne, ne, ne sada mi rusimo vladu
I nije bitno koju, jer sve ce bit po podu
Dicemo drzavu k'o sto je Ciro Slobodu
Vidjet cete mudonje, sta sve cure lude mogu
Pravimo plan sve cemo obuci crno
Da ne bi neki portal kreno lupat nacionalno
Moje boje, tvoje ,njihove i sva ta prica glupa,
Mi smo samo bijesne cure, a sad smo bijesne skupa
I ja bi pos'o al' za me nema ponuda
Zdravstveno bi, socijalno, al mi treba potvrda
Nemam veze, pa ponesem poklone u ruke
Ii ja bi radjala si djecu, ali mi pelene skupe
Ref. 2x
Sklonite se s puta nece nista da ostane
Ni ti direktori, ministri nit ista od te zgrade
Bez i jednog para muda, a svaka cura je luda
I svaka turbo je bijesna i u po' PMSa
Prvo cemo hladno da ih otjeramo s parkinga
Goca 103 kile ko Big Momma napada
Mi cemo da placamo a vama parking dzabe
jest, izbusenih guma i napuknute sajbe
Gledaju ljudi u nas, sta one cetiri rade
sminka,stikla, sve u crnom a neke gume vade
Prodje i to glatko, bez Bog zna kakve muke
Eni malo pukle strample, ja isprljala ruke
Necemo stati, idemo dalje ka zgradi
tri drota na ulazu, „Ana sise vadi!“
Malo dekolte, malo, „mi cure pa ne znamo“
prosle to za minut ba, znam da zvuci nestvarno
Portir ne da dalje, ne mozes covjeka smotat
cini mi se lakse bi, pored jos dva drota
Izvlacim se brzinski i otrcim do lifta
Ena vadi meze masno i rakiju mu sipa
Ref. 2x
Idem od vrata do vrata, trazim tog glavnog gada
tog cobana propalog i vodju tog cijelog stada
I nemam nekog plana, u hormone treba vjerovat
sama sebe ne podnosim, valjda cu njega otjerat
Kad stanem histerisat, sa stola sve obarat
jer sam bijesna kao pas, necete nas stoko varat
Pa onda nalet placa,onda opet nalet smijeha
i sve tako u krug valjda ce da mu zasmeta
Zakljucat cu vrata i pripremiti mu olovku
nece izaci odatle dok ne potpise ostavku
A ako zatreba, ubacit cu ratne traume
„dok smo mi bili gladni, sta si ti jeo majmune“
I vidim prava vrata, ispred nas gospodin stoji
daje mi papir s potpisom, place,valjda se boji
„Izvin'te zene molim vas, izvin'te ljudi svi
evo ostavka od mene,dalje preuzmite vi“
Ref. 2x
About PMS
"PMS" finds Sassja in a pop-minded frame, where a clear central idea and emotional directness carry the song. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Sassja, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Sassja avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.