Silikoni (feat. Sajsi MC)
Severina · Other Songs - Severina
tu me udri, ja to volim)
Sve i da sam ravna kao daska
tebi svidjam se
al' ja volim da je meni lipo
kada gledam se
Znamo se tek minut il' dva
zasto bi se ljutio
uostalom, briga me bas
ti ih nisi ni kupio
Ref.
Malo silikoni
i drugi fazoni
imam sta da pokazem
Doktor iz Brazila
da bi ljepsa bila
ja u sebe ulazem
Zatezem misice
zavodim mladice
nemam losu namjeru
Past ces kad mi vidis slike
da, da
na tvom Viberu
Volis kad je sve na curi pravo
kada gledas je
(a ja volim fejk)
a ja volim da je meni lipo
gdje god pipnem se
(hajde, pipaj me)
Najveci si, kazu, moj fan
(aha)
u mene si zatreskan
(neka boli)
a ja ista kao i sve
samo pratim trendove
(avioni, kamioni, silikoni)
Ref.
Pametna i lijepa
za svoje mane slijepa
ne moze mi pomoci ni cela apoteka
ni roza tableta nije dovoljno jaka
ja sam ti dragi, opasni motherfucker
Zivim, bejbi
zivim samo nocu
necu da radim
milostinju ja hocu
Kao zaraza
ja se sada sirim
mini suknja postala je
mikro, mikro mini
Puno prostora moj silikon zauzima
zaustavite me, ja ne znam kad je dosta
balavis na mene dok pricas da sam prosta
znam da bi skakao zbog mene sa mosta
(zbog mene sa mosta, zbog mene sa mosta)
Ref.
(Hajde sad, dodirni me
kao lutku skini me
hajde sad bez panike
daj malo plastike
Oduvijek si to htio
savrseni svaki dio
tvoja ikona na slikama
kada sam u stiklama)
About Silikoni (feat. Sajsi MC)
"Silikoni (feat. Sajsi MC)" finds Severina in a pop-minded frame, where a clear central idea and emotional directness carry the song. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Severina, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Severina avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.

