Hit (Feat. Mirza Tetaric)
Shorty · Other Songs - Shorty
Krenuli smo, tko zna gdje kraj je
hitovima dajemo novi sjaj
Mirzoni i Shorty u hitolov krecu
Evo vam hit
vise ne morate cekati
kad pocnem repati
zelim cut da cete me backati
Necu zanijekati
klinci me gledaju k'o Mesiju
gradim profesiju
radim album na veresiju
Al' ne volim laznjake
u to se kunem
pa kad se vidim u ogledalo
svaki put se pljunem
Ne gotive me zene
tu istinu prihvacam
i stavljam magnete u dzepove
da budem privlacan
Jer di god dodjem
uvijek slusam ista sranja
nisam mali, skupio sam se
od pranja
Kazem vam 100% od
nekog deterdzenta
zato slusam Fiftya
da narastem 50 centa
Imam jos jednu manu
a ta je da nemam mane
moje rime ljude privlace
k'o majmune banane
Pa slusam ovacije
sto dolaze sa strane
svaki put kad repam
radnicima sa ciglane
Priznajte da jos niste
culi nekog tako smjelog
al' ja repam iz razloga
da si kupim komad bijelog
Jer ja nisam neko drugi
ja sam samo ja
da, da, da, da, da, da
Pa bacite bebe u zrak
skacite pod vlak
sa istim spolom
sklopite brak, na hit
Pretucite zene
otmite dijete Lepe Brene
prerezite vene
kad ova stvar krene, hit
Navucite se na droge
nagovorite jos i mnoge
zamolite nekog da
vam slomi noge, hit
Silujte ruku
nedugo zatim i drugu
svom najboljem drugu
ali napravite buku, na hit
Novo ubojstvo instrumentala
za ovo me ceka robija
mozda se izvucem
ako budem druko za Bobija
Nikad nisam bio
kombinacija koja dobija
ako kupite moj album
znam da ce biti kopija
A od same prodaje
zelio bi postat bogat
zato cu se ubit sam
da ih mogu vise prodat
Otkrit cu vam jednu tajnu
nemojte je nikom odat
ovo radim da bi mog'o
s Ivanom Brkic prohodat
Postat cu najbolji reper
onda ce me htjeti svaka
to ce bit kad Cibalia
uzme naslov prvaka
Kad budem novi Eminem
kad budem mog'o k'o on rokat
onog trena kad na onoj
stvari mi naraste nokat
Uspio bi u zivotu
kad bi dobio na lotou
a dobio bi pod uvjetom
da mlad docekam stotu
Imam pun gas para
al' nisu u mojim hlacama
pa ako ces me pljackat
nadjes mi kurac u gacama
Trebam dobitni listic
pa visim u kladionici
vozim CLK kad radim
u autopraonici
Pusim narodnjake
pa cu repat na harmonici
moro bi bit gangster
bio sam u crnoj kronici
Zavoli me k'o da sam 2Pac
amputiraj si supak
na mjesto gdje ti se
nalazi pupak, na hit
Uzmi hrpu opijata
lezi s mamom, napravi si brata
kazi da ti je to
navika iz rata, hit
Dok hodam po bini
s nje me skini
i pitaj me moj poster
u prirodnoj velicini, hit
I ako poslije ovog
budes slus'o neku satru
napravi si na kari
indijansku vatru, na hit
Prvo izdanje s banje
pojacaj to sranje
u istom sam se danu
skinio i navuk'o na granje
Im'o sam krizu
sad imam rizlu u pizu
u slucaju da zelim
otic negdje a da nije blizu
Al' me i pomalo znaju
pa putujem na gaze
odande si saljem pisma
lazem da me pice traze
Zelim uc' u modu da s curom
vodim ljubav na podu
jer cijelo vrijeme znam
da smo ustvari u rodu
Nisam ustasa
niti balija, ni cetnik
onaj ko mi jebe trebu
nek' ne misli da je sretnik
Sto se mene tice
moze je sa sobom povest
barem znam da nisam sam
jer imamo istu bolest
Trebo bi nove stvari
na primjer zube nove
kaka sranja pricam
neko ce mi razbit ove
Al' sam vam ranije rek'o
da zivim k'o u vicu
zapeo sam u repu
k'o dlaka jajeta u slicu
Jer se stvarno isticem
k'o govno usred punca
k'o tip u bundi koji
se na plazi sunca
A bit ce da sam neki kurac
dok me ljudi tako puse
i drkaju da repam
pa mi jos na rimu svrse
Ref.
About Hit (Feat. Mirza Tetaric)
"Hit (Feat. Mirza Tetaric)" finds Shorty in a pop-minded frame, where a clear central idea and emotional directness carry the song. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Shorty, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Shorty avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.

