Moje sranje (feat.) Aky

Shorty · Other Songs - Shorty

Nikad se nisam oko neke
pjesme potrudio manje
kako cujem ili citam
da sam pogrisio zvanje

Nema smisla da se bacam
u duboko umno stanje
i onako sta napisem
reci ce da je sranje

Dajte dlanovima sansu
uzivam u aplauzu
ubite neku kintu
nek se nadje i za jazu

Ja radim takva sranja
kakva niko nikad nije
rima mi tvrda ko penis
puls prekidam ko strije

Za neke seljacine
veci od snupica
prate me jezicine
ko kamatari Dripica

Formi me pljuju da
crvenim ko Milanovic
pruzaju mi ruku
a lakat ko Asanovic

Ne zele me u rocku
sta ja radim tu u pop
u arembiju ne zele me
u hip hop

Mozda me zele u dopu
da tako napustim scenu
a ja bi ipak spasa trazio
nasao u refrenu

Ref.
Mozda nisi cuo
al' to je moje sranje
volim kad u pjesmi kazem
to je moje sranje

Sta ti mislis o tome
jer to je moje sranje
ustvari ko te jebe
to je moje sranje

Ne volis me, popusi mi
to je moje sranje
ti bi htio da je tvoje
al' to je moje sranje

Sta sam ono htio reci
da to je moje sranje
mozda je sranje
al' to je moje sranje

Da sam made in Bosna
ja bi bio Edo
da sam more sunca
onda bi ko Tbf izgledo

Da sam gangsta gangsta
onda bi ko Nered bio
da kuzim igru onda bi se
ko General snio

Kad bi brijo ni bi
krio bih ko Stole
da sam MC ko Target
svi bi samno bili dole

Da me curce vole
onda bi bio Connect
ali nisam ocito
imam krivi dijalekt

I nikad necu biti cool
kao Dooks ili Bizzo
ali imam sranja
prevucem na sa televizor

Mozda nisam neki prizor
i prepun sam mana
al' imam vise rima
nego ih kineskih ducana

Ljude u bilo kojoj dobi
i bilo kojoj sekciji
disem sve na noge
kao kite u erekciji

Cilataj u lekciji
mikrofona na pranje
i nemojte zaboraviti
da je ovo sranje

Ref.

Ajde pitaj me sta vozim
necu reci Enzo
Porsche, Lamburgini
niti Mercedes Benzo

Kako ovo zvuci
spremo za izdanje
od vaseg je najbolje
boljeg je bolje moje sranje

Da sam govno recite
hajde moja djesice
ovo ne mozes krenit
kad ti ne valjaju svjecice

Cure su vam svetice
silikonske petice
kad ovo sranje cujes
da ih guzimo, sjeti se

Popusi mi, ne volis nas
istina je takva
nikad neces biti dobar
poput mene i mog brata

Moj ti duh
zato pripazi sta pricas
mi smo uvijek korak isprijed
pa nam samo ledja vidis

Da li ti se svidja
znas koliko mi je bitno
isto kao generalu
kad guster broji sitno

Nimalo pusti
nase sranje hitno
bez nas hip hop umire
vi ste glavni sindrom

Ref.

About Moje sranje (feat.) Aky

"Moje sranje (feat.) Aky" finds Shorty in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Shorty, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Shorty avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.