Ne verujem nista

Sick Touch · Other Songs - Sick Touch

Ref.
Ja im ne verujem nista
ma, draga, pusti price
to su samo sitne
lazi s ovih ulica

Lazu ti oci, draga
to su sve sitne lazi
to su sve puste zelje
kojima fali drazi

Mila, ti im ne veruj nista
jer ja znam za jadac
i plus ih nikad ne vidjam
na ulicama grada

Pusti te bajke
jer nisu moguce
nerealnu pricu
pokusavaju da proture

I na sav glas laju
a niko ih ne poznaje
u njihovom kraju

Ovaj grad pun je lazi
ceo svet pun je lazi
vas rep pun je lazi
samo se drugom dokazi

Klasicni kompleksasi
ne vide dalje od mrznje
boli ih tudj uspeh
ljubomorni su na druge

Ja lagano se krecem
izbegavam takve njuske
jer sam biras drustvo
pored sebe imam prave ljude

Svako zivi kako 'oce
ide svojim putem
i mimoidjem se s njima
jer im ne verujem nista

Ref. 3x
Ja im ne verujem nista

Samo Bog moze da mi sudi
niko drugi me ne poznaje
tempirana bomba
blizi se trenutak istine

Samo iskreno, reperi su picke
sve je to sminka
pricaju vam prazne price

Oruzje, droga u dzepu, lova
holandska roba, gratis probas
sanirana garderoba

To je Holivud
gluma, imidz
ne postoji rizik
na ulici u klubu
sklapamo novi biznis

Sklapaju novi biznis
obrcu novu turu
sinoc sa brda kurvi
trosilo se u klubu

U dzepu ima nulu
al' zivi u pricama
prepun je ovaj grad
takvih likova

Ma da, sve znam
samo me zaobidjite
reperi, kako sami sebe se ne stidite

Palim spravu
jer smesna vam je prica
ne slusam ih nikad
jer im ne verujem nista

Ref.
Ja im ne verujem nista
draga, pusti price, to su samo
sitne lazi s ovih ulica

About Ne verujem nista

"Ne verujem nista" finds Sick Touch in a pop-minded frame, where a clear central idea and emotional directness carry the song. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Sick Touch, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Sick Touch avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.