Panama
SMA · Other Songs - SMA
Denis Rodman
kucam s' crte za tri
Michael Jordan
Ja sam psihofarmakologija
Albert Hofmann
ne trljam lampu, dimim
pusim duhove iz bonga
Mozda sada znaju
sto ih ne zovem
nisam dobar covjek
ali sam covjek
Pao sam opet
ustat cu opet, bjeze
ne vidim nigdje ih
nigdje dajte mi dvogled
Panama flow dodaj mi
Kalash sa tavana flow
Jala, Jala pokazi mi
prstom koga cu bro
Dje ces ba s' nama
vidi se bolan ba
dje ces ba s' nama
dje si pos'o bolan
nismo ti drustvo ba
dje ces ba s' nama
Idi vrati se nazad
dok nisam ti pustio kerove za vrat
mi smo iz predgradja
pljackamo prolaznike
nismo iz grada
Rulja i bagra bacamo
stilove vagamo magra
znamo i dat' ga od petka
do utorka tako je vazda
Crveno oko zviznuto kokom
postedi me price
pokazi mi pare
poslovno strogo
Vidi sivi dzip
kada rolamo kroz block
vidi sivi dim
kada srolamo u top
Ref.
Dzaba vam mrznja
dzaba price
belaj bit' ce
za nama ic'e zlo
Taman kad svice
trebam pice
tebe bit' ce bi-bi-bit' ces
bacen na dno, Panama flow
Panama flow
dodaj mi kalas
sa tavana flow
Sin vam je kriv
budite sretni sto je ziv
ako nije kriv
meni stvarno nije jasno sta ce vani
na ulici ujutro u pola tri
Od popodneva do navecer
svaki se od nas pare zalijece
sami ste me nametenuli
ja se ne namecem
sijam vrh vi krasite zacelje
A kroz noc kruzamo blokom
nazdravljam stokom
gdje zamirise marihuana
tu je Picasso sa Lokom
Ostri stavovi kao katana
papir guramo sranje sa dlana
gdje je separe, gdje je paravan
Mala nam daje ga kao Rihanna
bomba tempirana izgleda
kao kurava izvandredna, nadrogirana
istetovirana, hromirana ko iz novina ba
Mozda je razlog sto spavam do dva
mozda je alkohol ne znam ni sam
mozda je djavo us'o u mene
filmovi prolaze nisam svoj sav
(nisam svoj sav)
Dobar i los sam
stigo daleko sam bio sam klosar
rano sam shvatio zivot je borba
linija dijeli damu od drolja
Bacaju kosti nam ko da smo pseta
vuku za rukav kod dilera kreka
dileri smiju se svaki se sprema
s nozem na ledja misle ja blesav
RedEye familija BluntBylon kujo
Pobjesnjeli Max sa bagrom i ruljom
tzv. vojnice sakrij se u rov
najjaci opstaju, zivot je surov
Ref.
About Panama
"Panama" finds SMA in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to SMA, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, SMA avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.

