Ruze i pistolje (feat. Rolex i Mali Mire)
Struka · Other Songs - Struka
k'o da Bog biro je da me stavi u njihove kandze
prazne i sirove pravde, u zemlji i sisanje kare
previse pitanja, brate, nocu svitanja, brate
Bolu pricam sto ja nisam taj
sto ima i svima da kradem, gotovina iz zgrade
sto posto bi post'o gnjida, brate
vredis onoliko koliko imas pare
I najveci div padne, ljudi pamte
i na kraju svi pate
cak i bit cini k'o da svaki stih place
cuti, pusti njih, jer na kraju svi plate
Zavrsicemo, brate, svi ispred iste rampe
na ulici anarhija pa zivim k'o panker
politika i stranke ubijaju k'o kancer
nema ko nije s djavolom igrao valcer
Ref. 2x
Svako bi da zivi bolje
ali nije lako ako zivis ovde
imamo samo ruze i pistolje
(imamo samo ruze i pistolje)
Gledam da vise inkasiram, a ne price da plasiram
uvek znam kuda hodam jer moj put je trasiran
po Vegasu se vozim pod svetlom neonskih lampi
boca u ledu, jer jedu se kreolski skampi
K'o glaziran, pod dejstvom narkoze - mimoze
mirisu, nebom nada mnom je roze - a roze pijem
sipam i sipam i gledam malu, bas odr'o bi je
brate, bas dobro mi je, a mozda ipak nije
Lice zmije se krije pod maskom laznih drugova
mi ucimo, ali pakao sa svojih devet krugova
mladi kralj Simba na kanapima ringa
trudim se da pobegnem iz jebenog limba
Zivot je surov i lep u isto vreme
ali vuci svoje vreme i posadi svoje seme
i tragaj vecno za srecom jer trebace ti sreca
zato srecno, putuj u vecnost
Ref. 2x
Treba nam zarada, blant i bas da nas razara
da stvaram sa pravim glavama, ja sam mladi stvaralac
novi dan i snovi da danas sam sa vama u ozbiljnoj lovi
Pogled iz dana na grad, ja zavaravam trag
savladavam glad dok zabavljam vas
samo krov nad glavom i hrana za par dana
prodjem kroz svoj grad, k'o da sam stranac
I mozda sam hladan, a gorim iznutra
da promenim sutra treba mi par minuta
ponekad lutam ulicama sam, nemam mira
a moj dom tone kao Atlantida
Ne dugujem nista, danas probacu nesto
ako je vredelo ista, valjda postacu neko
jer ja sam ja i ti si ti, a mi smo mi
i kad sam sam pitam - gde su svi, a zelim mir
Mladi biju stranke i panke, ne bi radili
stariji su navikli na uzas
neko ima zivot skup ali tuzan
neko je srecan samo da nije tuzan
Sreca je kurva kad imas je jer ne vidi se kontura
ja crtam recima sve sto vidim i nesto guram
svako bi da zivi bolje, a ti mi kazi da li mozes ovde
Ref. 2x
About Ruze i pistolje (feat. Rolex i Mali Mire)
"Ruze i pistolje (feat. Rolex i Mali Mire)" finds Struka in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Struka, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. What gives the song its lasting pull is the relationship between focus and release. It does not need to announce every change; instead, the mood develops through repetition, contrast, and the confidence to let a phrase settle before moving on. That sense of control makes the performance feel more personal. The track can sit comfortably in a casual listen, yet it also rewards the extra attention that comes when a familiar line, turn of phrase, or change in energy begins to stand out. In that balance, Struka avoids both excess and understatement. The music stays close to its emotional core, which helps the song feel coherent from beginning to end. More importantly, the song does not rely on novelty alone. Its effect comes from the consistency of its mood and the way each return to the main idea deepens the sense of place. That steadiness makes it easy to revisit without losing its impact. The result is not simply a catchy moment but a complete mood, one that leaves a clear afterimage and gives the title more meaning every time it returns, again and again.