Borba
Target · Other Songs - Target
Ko mu je reko da je zivot borba
vani je ulicni rat
skvadra se torba i kao stariji vidim
jos uvijek borba pa pokuzavam
ne izaci iz svog hoda
Repamo za skvadru na rubu zivaca
i tone klinaca
standard naivaca
i copori primitivaca
Za tebe i trebe
i bebe sta sjede
za stvari kaj vrijede
i sjecanja vrijede
Ili pohlepa pojede ko mrvice kruha
a organizmu treba juha
a ne hrana suha
za skvadru kaj ne voli za zivot
Nekad izkuha repaju bez sluha
ili njim je publika gluha
mi vam cistimo uha
da cujes kad te zovu
Zaboravis stvarnost ovu
i uzmes novu
kaj je po tvom kovu
al' zaboravis lovu
Jer pare nisu stvarne
u zivotnom vremeplovu
uzima druga bogatstva
kad pljacka carstva
Stara kultura je odraz
dobrog gospodarstva
uzmi jer sve je tvoje
daj za dobro svoje
rokaj onda vidi kak stvari stoje
Ref.
Ko da se nikad nismo pomakli sa mjesta
mnogo puta kada bi kisa presta
opet gledam u nebesa
i nervozna od stresa
Trazim kaj drugo nek trazim sebe
u svemu ovome i svijet u svijet
putuje kroz atmosfere
kad se target prodere
sta te opere
Vidim da me covjek gleda
kad sam gostoljubiv
su me hteli preveslati je
previse zaljubljiv
O vremenu kaj stoji na satu
dok ga ne naprave
po krs ljubav ti zna doc glave
od tada podloge nisu stale
A kaj jos uvijek vole brijat
u stilu socijale
a vidim jos uvijek moc filjat medije
zbog cega znamo bas sve tragedije
Pa se mole da se ne zalete
nek podsjete moje rime
na cvrsto tlo kada polete
jer furam tinberlejn za rad stete
I hodam u hip hop stilu
put pokretne mete
bore se za sva ta prava i slobodu
ostajemo k sebi tak da ruzne misli odu
Ref.
About Borba
"Borba" finds Target in a pop-minded frame, where a clear central idea and emotional directness carry the song. Its appeal comes from commitment to a single emotional temperature rather than from trying to impress through sheer scale. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. Small changes in intensity keep the song moving and stop its main idea from becoming static, giving the performance a natural sense of flow. For listeners returning to Target, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. The result is a focused piece of music that works in the moment but still has enough character to invite a return visit. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.