Ljubavni problemi (feat. Ivana Kindl)
Target · Other Songs - Target
s vokmenom na uhu u glazbenom
poslu ko amateri, a ne ko profiteri
Kad repam po mjeri, a kad bi
a skvadra brije daj ne seri
daj se pozderi i oni vani su
ko Tom i Djeri u atmosferi
A ja si mislim blago meni
kak da mi nist ne ide od ruke
kad samo razmisljam o svojoj zeni
Pa mi padaju poeni
dok gledam kako stoje jeni
na globanoj svjetskoj burzi ko kreteni
pa kaj su reperi manekeni daj se geni
i novu strancu okreni
Ref. 3x
Ovo su ljubavni problemi
Moje su ljubavne misli skroz uoblicajno lijepe
slikam slike za slijepe i stepe
jer dignete uvijek pepe kad rep
pa lijepe cure uvijek za uvijek ostanu lijepe
Sretno dijete iz vremena kada su
tete u vrticu furale polu pete
tamo mi je prvi gram znaj da nisam brijo
ram imam sranja i nafata podebljam stav
Uzemem pas ko paf
pravi sam bed boy
bed blue boy
ako me oces curo ja sam tvoj
Mada cike na znoj
i idem sam u boj
prestavljam svoje susjestvo
Zagrebe mili moj i to je tak
Ref. 3x
Ljubavi nikad dosta
zato valjda tol'ko kosta
ili nas samo sihoterapija rosta
Divljina u zraku poput vozda
mozda da si izdepiliram bez voska
neke me jebe poslije mozga
ko zna, ko je uopce od producenata
brio pozdrav
Kad beata nema jebena padne zema
jer trema jebena podloga
s rimom bez problema
ne treba mi tema
Jer bok si pa tak
gegam ko dok boli guzica ko ak
pa mame grad kak ovag ooo
volim hip hop i zene i to je to
Ref. 3x
About Ljubavni problemi (feat. Ivana Kindl)
"Ljubavni problemi (feat. Ivana Kindl)" finds Target in a pop-minded frame, where a clear central idea and emotional directness carry the song. Its appeal comes from commitment to a single emotional temperature rather than from trying to impress through sheer scale. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. Small changes in intensity keep the song moving and stop its main idea from becoming static, giving the performance a natural sense of flow. For listeners returning to Target, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. The result is a focused piece of music that works in the moment but still has enough character to invite a return visit. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.