Ljubi me me opasno
Target · Other Songs - Target
trenericu Tonku
kaj je odrasla na ping pongu
jer za takvu mogu zaklet se Bogu
da cu posjetu stalno imati zogu
Pa ti prestupam bez fina
ko kunta kinta
kaj znamo za kaj se rinta
i ne to nije tinta na dogimentu
Nisu kurva pa kaj ces burm
pa reci frendu imamo kucno kino
medino ja, jastucima di
jedemo samo fino
Moja sudbino sisa zeletino
moja dubina
za tebe bi pogino
i jos uvijek vrucino
Za godina par kad ugledam sunce
jos uvijek smo naj par
ti si treba kaj mi treba
ljubav nasa sve sto mi trebam
Ref.
Ljubi me opasno samo ne poslovano
ko te je poslao da me tako ludo ljubis
ljubi me opasno svati me doslovno
ko te je poslao da me tako ludo ljubis
Cmok, cmok, cmok kad te ljubim
cmoknem ti sms kada gubim
zaljubim se kad te ljubim
cmok jedan tu, cmok drugi tu
Cmok treci tu, cmok cetvrti tu
cmok peti tu, sesti cmok
ko da gledam te na video
cmok kad te vodim na sok
Cmok kad prosecemo blok
cmok kad klopamo
cmok kad jedemo sladoled
kad smo vani sa svima cmok
Cmok nije bed
cmok u kuhinji, cmok u wc
cmok pod tusem ko na tv
kazes ludo odgovaramo
tvrdo imam jebeni pogled
kad se popnemo na brdo
About Ljubi me me opasno
"Ljubi me me opasno" finds Target in a pop-minded frame, where a clear central idea and emotional directness carry the song. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Target, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.

