Odrasto

The B.A.K.I Teen · Other Songs - The B.A.K.I Teen

Kad sam bio mali
uvek su me zajebali
rekli su mi pali mali bezi
nemoj da te prebijem
mali pali mali

Bio sam klinac
uvek su me zajebavala druga deca
moro sam da radim za njih
jebi ga, sudbina je takva
ne mozes pobeci od nje

Samo slusaj svoje srce
budi hrabar
jer kad to srce slusas
pobeda ce biti tvoja, samo tvoja

Nekad sam bio klinjo
sad sam odrasto, steko prijatelje
nadu, drustvo i ostalo
i sad sve je naopako

Vraticu ja njima tri put duplo
da me zapamte ko ja njih
uvek cu da ih zapamtim

Sad sam ojaco s prijateljima
vrati cu im duplo samo duplo
uvek ce se pokajati
sto su se samnom kacili

Ref. 2x
I sad sam ojaco
i sad sam odrasto
i sad sam najbolji
i sad cu da im duplo vratim

Zeleo sam da budem dobar
da steknem lepo drustvo
ali osveta ne bira
druga deca su me na to povukla

Jebi ga sad sam tako zao
ali ne i toliko mnogo
dobar sam u srcu i voli me publika
dobri su mi prijatelji nisu ko ostali

Kakav sam ja takvi su i oni
oni me brane ko i ja njih
takvi su ortaci ne moze se bez njih
oni su najbolji

Ali iskuliram one koji se kurce
hvale, drogiraju i sebe kvare

Ref. 4x

About Odrasto

"Odrasto" finds The B.A.K.I Teen in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to The B.A.K.I Teen, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.