Comatose
Mikky Ekko · Time
And pills and needles always waitin'
You lost a nerve and all control
I can feel it
I can feel it
And it feels like waiting
We pushin' for revolving dawns
We end up where we were before
Right back at the scene
And I can open doors to an empty room
Still a part of me
And even a part of you
In another life we can work it out
We never speak
So it's hard to do
We really want to live this way
'Cause all I really want is you to stay
Maybe it's easier girl
Comatose
We worked so hard to stay above
All temptations we created
Now we go wander and call it love
I can feel it
I can feel it
But the feeling's fading
We pushin' for revolving doors
We end up where we were before
Right back in the dream
And I can open doors to an empty room
Still a part of me
And even a part of you
In another life we can work it out
But we never speak
So it's hard to do
We don't really want to live this way
Cause all I really want is you to stay
Maybe it's easier
In another life we can work it out
But we never speak
So it's hard to do
We don't really want to live this way
'Cause all I really want is you to stay
Maybe it's easier
Maybe it's easier
Comatose
But I don't really want to live this way
Baby we can work it out
Comatose
Comatose
About Comatose
"Comatose" finds Mikky Ekko in a pop-minded frame, where a clear central idea and emotional directness carry the song. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Mikky Ekko, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.