Brazil

Brazil reimagined on electric guitar

Les Paul's “Brazil” is a fast, guitar-led interpretation of Ary Barroso's Brazilian standard “Aquarela do Brasil.” Paul turns the orchestral source into a nimble instrumental showcase, using the electric guitar's bright attack and his characteristic layered studio sound to create a performance that feels both virtuosic and playful. The recording retains the tune's sweeping melodic identity while recasting it as a compact American pop instrumental.

Capitol released the recording in 1948 as the B-side of Paul's single “Lover.” The pairing put two contrasting sides together: “Lover” foregrounded Paul's guitar technique, while “Brazil” offered a distinctive reworking of an international standard. Paul's use of overdubbing and studio effects was already a defining part of his recorded style, helping him create the impression of a larger, more complex ensemble from a small setup.

“Brazil” reached No. 22 on the U.S. singles chart, a notable result for a B-side instrumental. It also became one of the recordings often cited when discussing Paul's inventive guitar sound and the global reach of Barroso's composition. The song's continued presence on reissues and compilations reflects the appeal of both the melody and Paul's technical approach. His version turns a familiar standard into a personal performance, balancing rhythmic momentum with the bright, precise sound that made his records stand out.